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The moon is smiling. I weaved her name on the moon with lilies.

I carved a poem on the moon then tethered it on fertile land.

Dusk is falling on the hill and sensual shadows dance with shards of mellow light.   A prudent day surrenders to a playful night and lovers on wings made of dreams embrace on park benches.   Primrose Hill was made for lovers.

We sail our boat to the edge with its hull full of words and its mast made of dreams. Part of the mosaics cycle of poems

Friends? No. Why not? I still love you. Part of the mosaics cycle of poems

Talk with me. Silence! A taste of darkness. Part of the mosaics cycle of poems

once you said "nothing has changed" but you were so wrong Part of the mosaics cycle of poems

The master puppeteer gathers all his marionettes for a grand performance.   He strides on stage stern and in full control— the undisputed only king of their puppet world.   Tonight, the puppets will perform a drama of love and painful loss of loyalty and betrayal.   But all is not well in the land of make believe tonight. Despondent and unhappy, the puppets huddle in dark corners muttering words of courage and dreams of revolution.   Yet they know they are not fighters. Losing their resolve, they bow their puppet heads and return once more to the drudgery of the puppet world.   All but one.   Calmly, he stalks in silence until one night he begins to spin yarns of daring courage and brave tales of insurrection.   Stirred, they rise all as one. ‘All puppets are born equal’, they cry and plunge their little knives into the master puppeteer's back.   The marionettes are now in a panic— it is time for tonight's performance and there is no one to take command.   'What will become of us?’ they yell and shriek in terror.   Into the light with a hundred shiny medals pinned on his valiant chest, steps out from the darkest corner their new heroic and glorious leader. A few words about the poem… The Allegory of Power in "The Glorious Leader" and Its Reflection in the Political Poems   "The Glorious Leader" is a compelling addition to the collection "Political OP" offering a nuanced exploration of power dynamics and the consequences of political upheaval. Through its symbolic narrative, the poem serves as a trenchant critique of the transition from the old tsarist order to the dictatorial regime of Stalin, highlighting the perils of authoritarian rule and the manipulation of opportunism.   The master puppeteer symbolizes the entrenched authority of the old tsarist regime, maintaining control over the marionettes with an iron grip reminiscent of the autocratic rule of the tsars. His stern demeanour and unquestioned dominance mirror the oppressive structures of the pre-revolutionary era, where power resided in the hands of a privileged few at the expense of the masses.   Discontent festers among the marionettes of the puppet world, reflecting the simmering unrest of Russian society before the Bolshevik Revolution. Despite their dreams of revolution, the puppets initially succumb to resignation, mirroring the inertia and disillusionment that plagued the populace under the old order.   However, one puppet emerges as a symbol of revolutionary fervour, embodying the spirit of change and defiance against the established order. Through tales of courage and rebellion, this figure galvanizes his peers to challenge the entrenched authority of the master puppeteer, exposing the opportunism and deceit inherent in maintaining the status quo.   The puppets' revolt against the master puppeteer mirrors the overthrow of the old tsarist regime, as the forces of revolution sweep aside the relics of the past in pursuit of a new social order. The emergence of "The Glorious Leader" is a stark reminder of the dangers of unchecked power amid the chaos and uncertainty of revolution. In a chilling parallel to Stalin's rise to prominence, the poem exposes the brutality and tyranny of the new dictator, whose reign of terror eclipses the oppression of the old regime. "The Glorious Leader's ascension illustrates the irony of revolution betrayed, as freedom and equality are subverted by Stalin's authoritarian regime.   In conclusion, "The Glorious Leader" offers a poignant reflection on the tumultuous transition from the old tsarist order to the Stalinist regime, highlighting the complexities of power dynamics and the enduring struggle for social justice in the face of oppression and upheaval. Through its allegorical lens, the poem invites readers to contemplate the profound impact of political change and the dangers of authoritarian rule in shaping the course of history.

Rachel screams. A ripping pain mauls her body but the cruel abuser has no pity. Aysha gasps for breath. The bombs keep falling and a ton of rubble crushes her tiny chest. Rachel and Aysha holding hands, weep at the gates of Salem but the Lord is deaf. A few words about the poem… Anti-War Poems | The Tragedy and Hypocrisy within the Conflict Machinery In the poem "Rachel and Aysha," part of the collection “Anti-War Poems,” the stark verses unfold with an unyielding focus on the senseless nature of armed conflict, a perennial human tragedy that, often, concludes through negotiation rather than a triumph of arms. The agony depicted in the narratives of Rachel and Aysha serves as a poignant reminder of the catastrophic toll war exacts, particularly on the innocent. The rawness of Rachel's screams and Aysha's final breath serves as a testament to the brutality inflicted upon the vulnerable, highlighting the tragic reality that warfare thrusts upon the young. These verses paint a vivid, unflinching portrait of the profound pain experienced by children caught in the crossfire of conflict. The golden gates of Old Jerusalem, a symbol of antiquity and resilience, stand as silent witnesses to the relentless cycle of violence that persists despite the passage of time. The narrative further underscores the senseless nature of wars, emphasizing that negotiations, not the relentless march of armies, typically bring about their resolution. It is a reflection on the absurdity that often accompanies armed conflicts, where the ultimate resolution is found not in the triumph of might but in the deliberations around a table. In contemplating the tragedy of war, it becomes evident that those who bear the brunt of its horrors, particularly the young, are not the architects of such conflicts. The decision-makers, ensconced in positions of power and privilege, seldom experience the ultimate sacrifice demanded by the wars they orchestrate. This glaring asymmetry between those who declare war and those who pay its price serves as a scathing commentary on the inherent injustice embedded in the machinery of armed conflict. Moreover, the verses implicitly criticize the hypocrisy of superpowers who often resort to proxy wars to further their geopolitical ambitions. This cynical manoeuvring using others as pawns in a deadly game exposes the dissonance between the professed pursuit of justice and the covert pursuit of self-interest. Proxy wars, devoid of any moral high ground, lay bare the manipulation and exploitation at the heart of international power dynamics. In crafting an anti-war narrative, it is crucial to acknowledge the human cost of conflicts, the disproportionate burden borne by the innocent, and the duplicitous strategies employed by those who wield geopolitical influence. "Rachel and Aysha" becomes a poignant plea against the perpetuation of violence, a call to question the motives behind armed conflicts, and a stark reminder of the urgent need to prioritize diplomacy over the destructive allure of armed warfare.

Lonely child painting the meadow green hands reaching for the moon writing words to love songs Only child dreaming of a lover dancing with his ghost at midnight— summon your eight siblings to teach a man the art of rhyme Beautiful child the sweet sin of wanting you the sweetest sin of loving you won't you let me stay with you tonight Part of the   mosaics   cycle of poems

You are my memories when life was strawberries and cream in June, of scars and wounds unhealed and of unending days of sadness. You are my memories of endless sleepless nights a breakfast table set for one and of an empty life I spent staring at a silent door. You are my memories of songs in every minor scale and you are the face etched in all the rainy clouds on Sundays. Part of the   Old Stories   cycle of poems A few words about the poem… The Quiet Desolation in Melancholy Poems: A Life Looking at the Door   In "A Life Looking at the Door," the poet weaves a sombre reflection on a life marked by loss, loneliness, and enduring sadness. This poem is a compelling example of the power found within melancholy poems to express deep emotional truths through simple yet evocative imagery. The repetition of the phrase "You are my memories" serves as an anchor, pulling the reader through the various stages of grief and reflection.   The first stanza juxtaposes the sweetness of "strawberries and cream in June" with the bitter reality of "scars and wounds unhealed," encapsulating the tension between fleeting moments of joy and the lasting pain of life's hardships. This contrast sets the tone for the entire poem, positioning it within the tradition of melancholy poems that explore the complex interplay between memory and sorrow.   As the poem progresses, the imagery shifts to more explicit depictions of solitude. The "breakfast table set for one" and the life "staring at a silent door" vividly convey the profound sense of isolation that defines the speaker's existence. This imagery is particularly effective in evoking the emptiness that often accompanies long-term grief, a theme commonly explored in melancholy poems. The silence of the door becomes a metaphor for the emotional void that permeates the speaker's life, highlighting the weight of absence and the relentlessness of time.   The final stanza continues this theme of sorrow, drawing upon the melancholic association of minor scales in music. The reference to "songs in every minor scale" reinforces the pervasive sadness, while the "face etched in all the rainy clouds on Sundays" adds a layer of visual melancholy. This image not only encapsulates the personal loss experienced by the speaker but also connects it to the universal feeling of sadness that rainy Sundays often evoke. Such imagery places the poem within the broader context of melancholy poems, which frequently explore the natural world's capacity to mirror human emotions.   Overall, "A Life Looking at the Door" is a thoughtful exploration of memory and loss, using the characteristics of melancholy poems to delve into the emotional landscape of grief. The poem's restrained language and imagery contribute to its reflective tone, offering a quiet yet poignant meditation on the enduring impact of sorrow. While the poem avoids overt sentimentality, its understated approach effectively conveys the profound sense of desolation that accompanies a life shaped by loss.

A stranger's face leaps out of the looking glass.   In a panic, I peel the layers searching for the girl I knew, the girl with the flower cotton dress.   Your life unfolds on endless screens. I am dazzled! Many talk of your sainthood, others compare you to a work of art.   In many people's eyes you are equal to an angel, an inspiration to Antony some even may say but they can only see the laurels of your success and not the coin we paid.   All stories have their season and soon, you were craving for all that lay beyond.   Every day, I nursed our wounds and mended our broken bones; every day, you killed us slowly until we did not know each other anymore.   Our nights became silent. We began to make love without love until you had nothing left for me anymore not even your anger.   You waited each morning by the quay scanning the horizon for the ferry and you traded in your cotton flower dress for a shiny leather briefcase, a powerful mission statement and a Montblanc pen.   The neon lights of ambition beckoned you to go. Part of the   Old Stories   cycle of poems A few words about the poem… Melancholy Poems: The Descent of Lost Love in “Rumours of Your Sainthood"   In "Rumours of Your Sainthood," the poet crafts a narrative that explores the dissolution of love and the transformation of a once-intimate connection into something distant and unrecognisable. This poem fits seamlessly into the tradition of melancholy poems, with its themes of loss, disillusionment, and the quiet resignation that often accompanies the end of a relationship.   The poem opens with a striking image: "A stranger's face leaps / out of the looking glass." This metaphor sets the tone for the rest of the poem, highlighting the alienation and estrangement that has taken root. The poet's attempt to "peel the layers" in search of the girl in the "flower cotton dress" signifies a longing for the past, a desire to reconnect with the innocence and simplicity of what once was. Yet, this search is in vain, as the beloved has been consumed by the trappings of modern success and societal validation.   The progression of the beloved’s life, as narrated through the poem, is marked by a stark contrast between external adulation and internal decay. While others view her as a saint, an "inspiration to Antony," the poet remains painfully aware of the cost of this transformation. The poem emphasises the superficial nature of these accolades, noting that others "can only see / the laurels of your success / and not the coin we paid." The reference to "the coin" subtly alludes to the emotional and relational sacrifices made, a common theme in melancholy poems that explore the cost of ambition and the loss of personal connection.   The poem's narrative then shifts to the slow unravelling of the relationship. The poet’s role as a caretaker is juxtaposed with the beloved’s emotional withdrawal, as seen in the lines, "Every day, I nursed our wounds / and mended our broken bones; / every day, you killed us slowly." The use of the word "killed" here conveys the gradual and painful erosion of the relationship, a process that eventually leads to an emotional void where even anger—a sign of passion—no longer exists.   The final stanzas of the poem depict the beloved's complete departure from the relationship, both emotionally and physically. The symbolic act of trading in the "cotton flower dress" for a "shiny leather briefcase" marks the final step in her transformation. The imagery of the "neon lights of ambition" and the "Montblanc pen" highlights her embrace of a new identity, one that is distant from the shared past with the poet. The melancholy in this poem is encapsulated in this moment, where personal ambition has eclipsed love, leaving behind a sense of irreparable loss.   "Rumours of Your Sainthood" stands as a poignant example of melancholy poems that explore the themes of lost love and the alienation that often accompanies personal transformation. Through its vivid imagery and reflective tone, the poem captures the bittersweet reality of a relationship that could not withstand the pressures of ambition and change. The poet’s exploration of this emotional landscape offers a contemplative reflection on the nature of love, loss, and the passage of time.