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Candles flicker, the cantors chant and the solemn sermon of the priest fills the church with blackness. Longing for a scrap of comfort, I gaze at the austere saint standing sentry at the sacred gate. Fear and foreboding fill me. He has discarded his golden mail and clad in black, he grips a basket and a rusty scythe. His face is nothing but a skull —menacing, and savage. She rises silently, pale, and peaceful. Under the stern gaze of the saint she shrouds herself in candlelight and in the mists of olive leaves burning in the scented censer. I push, jostle and hurry to be by her side. "The boy is unhinged," many whisper. With hands entwined, we step out into the searing blaze of the noonday sun. Despondent cicadas hush their song and the grey old windmill stretches out its scrawny arms up to our Lord Jehovah. With a rusty voice, it demands an answer but the Lord is silent. Anguished, it stares at the spire in search of a shred of solace— fifteen weeping doves are painting the belfry black. Perched on the wall by the iron gate, we gaze at the yellow woodland where thirteen mimosas bloomed in May. “We were so happy then," she whispers and I realize I will live a willing prisoner among those blossoming mimosas for the rest of my days. Byzantine incantations and haunting chants echo in the sterile marble garden. The pungent scent of rosemary grows stronger and her lips have turned to an icy shade of blue. Mourners wail, and four sombre pallbearers lower her white coffin into an open grave. Part of the cycle of poems thirteen silk verses A few words about the poem… The Epitaph: A Meditation on Love, Grief, and Memory – The Cyprus Poems Within the "Cyprus Poems" collection, and specifically within the haunting sequence "Thirteen Silk Verses," poetry becomes a lens through which grief, love, and the profound silences of loss are viewed. The final poem of this series, "The Epitaph," resonates as an elegy for a lost beloved, weaving together images of youth and death in a tone that is both intimate and universal. Through its language and imagery, the poem encapsulates the raw, hallucinatory sorrow of a young boy, placing him within a space where past joy and present desolation collide.   Set against the ritualistic austerity of a Greek Orthodox funeral, "The Epitaph" draws the reader into the protagonist’s experience, offering a glimpse of his inner turmoil. Candles flicker, cantors chant, and the priest’s words weave through the air like a heavy shroud. The mourners, solemn and respectful, fade into the background as the boy fixates on the austere image of the Archangel standing sentry at the church’s sacred gate. No longer clothed in the golden mail of Byzantine tradition, the Archangel is depicted in dark, forbidding robes, clutching a scythe—a symbol of death stripped of mercy. This distorted figure merges the sanctity of religious iconography with the savagery of mortality, heightening the sense of foreboding.   The scene intensifies as the girl appears, silent and ethereal, shrouded in the soft, flickering light of candles and the faint smoke of burning olive leaves. Her reappearance is neither earthly nor wholly spiritual; she hovers in a liminal space, her pallor accentuated by the ceremonial incense and the glimmer of candlelight. The boy’s impulse to reach her, to push through the whispers of onlookers who dismiss him as “unhinged,” reveals the depth of his grief—a love so consuming that it transcends decorum and reason.   As they step into the relentless sunlight, nature itself mirrors the boy's inner desolation. The chirping of cicadas falls silent, and an old windmill, anthropomorphised with "scrawny arms," reaches out to the heavens in a silent plea. The windmill, an emblem of rural life and endurance, becomes a witness to this moment of sorrow, silently beseeching the divine for solace that does not come. In the distance, the spire looms, its belfry darkened by “fifteen weeping doves.” Each dove appears as a mourner, adding to the atmosphere of collective grief.   The setting shifts once more, transporting the boy and his beloved to a wall by the cemetery's iron gate, where they gaze at a grove of mimosas. "We were so happy then," she whispers, linking the ephemeral beauty of those blooms to the memories they shared. The image of "thirteen mimosas" serves as both a reminder of past joy and an anchor to the present, symbolising the ways in which he will remain tethered to her memory. This image also resonates within the broader theme of the series, evoking the bittersweet acceptance that accompanies the act of remembrance.   In its final verses, "The Epitaph" plunges the reader back into the solemnity of the funeral rites. Amid the scents of rosemary and incense, the girl’s pallor becomes icy, foreshadowing her ultimate departure into the earth. The mourners’ wails underscore the poem's exploration of collective mourning, yet the boy's grief feels intensely personal, drawing the reader into the intimate realm of his sorrow. As four pallbearers lower her into the grave, the ritual reaches its inevitable conclusion, cementing the girl’s transition from life to memory.   Much like other tragic heroines invoked throughout the cycle, such as Ophelia, Eurydice, and Giulietta, the girl in "The Epitaph" embodies a universal archetype of youthful love cut short. These mythic allusions enrich the narrative, binding the protagonist’s story to an age-old tradition of mourning and memorialisation. Just as Ophelia’s drowning or Eurydice’s loss to the underworld became symbols of unfulfilled love, the boy’s journey through grief taps into these deeper resonances, allowing the poem to speak across cultural and temporal boundaries.   In its portrayal of loss, "The Epitaph" masterfully captures the blurred line between memory and reality. Its visual and sensory details envelop the reader, drawing them into a world where grief is palpable, almost tangible. The poet’s descriptive language heightens the solemnity without becoming overwhelming, allowing the poem to remain a meditation rather than a declaration. The final verses linger in the mind, much like the afterimage of a candle flame, reminding readers of the enduring power of love and the silent, unyielding grip of memory.   Analysis of Themes   "The Epitaph" delves into themes of love, loss, and memory, examining how grief distorts time and reality. The recurring imagery of sacred rituals juxtaposed with elements of decay and desolation serves to illustrate the tension between memory and acceptance. The poem suggests that love, once lost, leaves an indelible mark, anchoring the living to the dead in ways that defy logical boundaries. Analysis of the Verse The verse structure of "The Epitaph" is marked by its fluid movement between scenes, creating an almost cinematic quality. The poet employs short, evocative lines that mirror the fragmented nature of grief. The lack of strict metre allows for a conversational tone, while the rhythmic repetition of religious and natural symbols provides continuity and depth. Analysis of the Symbolism Symbolism is central to "The Epitaph," with the Archangel, windmill, and mimosas each representing facets of the boy’s mourning process. The Archangel’s scythe and skull underscore the finality of death, while the mimosas represent both beauty and fragility, serving as a metaphor for their fleeting love. The image of the doves on the belfry speaks to collective grief, situating the boy’s sorrow within a wider human experience. Main Poetic Imagery   The poem's imagery is anchored in contrasts: light and shadow, sacred and decayed, past and present. The flickering candles, the desolate windmill, and the blooming mimosas all serve to reinforce the tension between memory and loss. The use of olfactory details, like incense and rosemary, adds a visceral layer to the imagery, engaging the reader's senses and enhancing the emotional resonance of the verses.   Religious Symbolism Impact   Religious symbolism pervades "The Epitaph," adding gravity to the boy’s mourning. The Archangel, stripped of golden mail and transformed into a spectral figure, embodies the poem’s dark undercurrent. The rituals of the church, the priest’s sermon, and the incantations of mourners all contribute to an atmosphere where the sacred merges with the personal. This intersection of religion and grief provides the poem with a sense of solemn universality, as the boy’s love is memorialised within the timeless framework of faith.

A Young Woman Swimming My green-eyed Madonna writhes and screeches in the mud with tobacco-chewing rednecks. This flawless spectacle inflames the caverns of my mind. Aroused, I kneel and beg her for a taste of her newborn vice. She reaches out to me, but I’m a prowler, a fierce hunter and do not care for this debauched young woman. Apple scent fills the reeds. She promises me the remnants of her tattered modesty, then she leads me to a diner in the town’s backstreets. I ask for a plate of almond croissants with a skinny latte but she tells me in her inn, there is only food for real men and the bitterest of coffees. Green fever clouds her eyes. We take a bottle of rye bourbon and rush upstairs to her bed. We struggle until her final whimpers snap the thread and the hunt is over. Who was the hunter, and who was the prey? No one knows to this day but it is clear to me now, this young Madonna was not born to sing the Blues, and I was only an out-of-town drifter who was lost on his way to Memphis. Part of the mosaics   cycle of poems A few words about the poem… A Coming-of-Age Poem Explored Through an Odyssey of Passion and Self-Discovery In a poetic exploration, the journey to self-discovery often meanders through landscapes both physical and metaphorical. Such is the essence of this coming-of-age poem under scrutiny, a narrative woven with the threads of a young man's odyssey, symbolized by the enigmatic destination of Memphis. The protagonist, a figure possibly in his mid-twenties, traverses the contours of his own psyche, seeking revelations in the heart of the South. Memphis, a city steeped in historical and cultural significance, serves as the backdrop for the unfolding drama of self-discovery. This thematic choice beckons the reader to delve beyond the surface, to ponder the allegorical implications embedded in the poet's crafted verses. The poem introduces a young woman, in her late teens, as a pivotal character in the protagonist's journey. Her presence, both ethereal and substantial, symbolizes a nexus of desires and fantasies. The nuanced portrayal, employing the subtlest strokes of language, hints at her unexplored sensuality and a mind given to fanciful musings. As the narrative progresses, the poet unveils a tempestuous sexual liaison between the protagonist and this enigmatic young woman. The imagery of a green-eyed Madonna screeching and writhing in the mud, juxtaposed with tobacco-chewing rednecks, sets a vivid scene. The clash of elements—passion and detachment, desire and resistance—adds layers to the exploration of human connection. The choice of a diner in the town's backstreets, the rejection of almond croissants and a skinny latte in favour of fare suitable for "real men" and the bitterest of coffees, introduces societal norms and preferences into the narrative. The clash of these elements, conveyed with an objective and informative tone, adds a dimension of social commentary to the poem. Within the folds of this poetic tapestry, the scent of apples fills the reeds, an olfactory note that lingers, inviting interpretations that transcend the literal. The poet creates an atmosphere where every detail is a brushstroke on the canvas of the reader's imagination. The culmination of the poem, marked by a struggle that ends with the Madonna's final whimpers, suggests a denouement to the passionate encounter. Yet, the mystery persists—the hunter and the prey, the drifter and the Madonna, entwined in a dance that defies clear delineation. It is a narrative choice that echoes the complexities of human relationships, leaving the reader with questions that resonate beyond the confines of the verses. The poem guides the reader through the labyrinth of themes—self-discovery, passion, societal norms—while leaving room for interpretation. The journey to Memphis, both literal and metaphorical, is an exploration that invites contemplation, a poetic odyssey that captivates without revealing all its secrets.

Ophelia's Last Voyage | Photography by Dorota Gorecka Her white memory— the young forest the scent of apple blossom the taste of sunrise. In a frenzy of swirling passion we buried our fledgling sainthood deep in the walls of the pious chapel and together we fled to the safety of the lilac sea. Ophelia is so beautiful swimming in the murmurs of the morning and in the red and purple sighs of sunset. She has the blood moon in her hair and her dress and all her ribbons are nailed to the hardwood of the mast. Standing at the helm with the taste of brine on her lips and her pristine white collar abandoned in the freedom of the sails she steers her yellow boat to the porcelain altar of her newborn day. Ophelia is now lost to me darkening in the blurred horizon an off-key song across her shoulders and a grieving swallow at her side. Part of the cycle of poems thirteen silk verses A few words about the poem… Ophelia Lost: A Poetic Meditation on Transience and Tragedy - Cyprus Poems   In “Ophelia Lost,” part of the “Thirteen Silk Verses” cycle in the Cyprus Poems collection, the poet crafts a meditation on love, freedom, and mortality that reverberates with mythic resonance. Like others in the collection, it uses timeless archetypes to explore themes of tragic loss and youthful defiance against the inevitability of death. “Ophelia Lost” specifically draws on the figure of Shakespeare’s Ophelia, whose name has become synonymous with beauty overshadowed by grief and innocence tinged with despair. The poet’s use of Ophelia acts as a doorway into a world of ephemeral dreams and unfulfilled desires, allowing the reader to feel the lingering presence of Cyprus’s history and mythology within the poem’s lyrical language.   The poem opens by invoking "white memory," a phrase that conjures images of innocence, purity, and the quiet beauty of youth. Through symbols like the "young forest," "apple blossom," and "taste of sunrise," the poet evokes a paradise lost, an Edenic landscape that lies just beyond reach. This opening sets a tone of wistful nostalgia and primes the reader for the tragic progression that follows. Here, the memory is not merely of places or times but of a purity of spirit and hope that has since been overshadowed by grief. The poet subtly links this individual story to the broader theme of the "Cyprus Poems" collection, infusing the tale with the sense of historical and cultural memory tied to the island.   As the poem progresses, the lovers abandon "fledgling sainthood," seeking refuge in the freedom of the "lilac sea." This image of the sea, tinged with the soft light of dawn and dusk, suggests a yearning for transcendence, a retreat from the strictures of societal expectation. The chapel where their innocence is symbolically buried provides a stark contrast, representing the conventions they reject in their pursuit of unfettered love. The poet’s depiction of this act as a "burial" hints at the fate that awaits them; this love, like the memory of the forest, will eventually be consigned to the past.   Ophelia’s beauty, caught between the “murmurs of the morning” and the “red and purple sighs of sunset,” reveals her as both an earthly and ethereal presence. Her hair, entwined with the "blood moon," echoes her Shakespearean namesake’s symbolic relationship with nature and death. The choice of the "blood moon" suggests the dual forces of love and mortality that shape her character, as if her beauty and her tragic destiny are intertwined within her very essence. Like the drowned heroine of Hamlet, she is both a figure of vitality and fragility, embodying a life cut short.   The central image of Ophelia standing at the helm, her dress and ribbons “nailed to the hardwood of the mast,” encapsulates her defiance. She is no passive victim, but a sailor guiding her own destiny, even as the poem foreshadows her demise. Her “pristine white collar abandoned in the freedom of the sails” speaks to the ultimate shedding of innocence in the face of an inescapable fate. This is not the Ophelia of Hamlet, drifting aimlessly toward death, but an empowered figure who embraces her choices, embodying the spirit of youthful rebellion.   As she recedes into the “blurred horizon,” the poet captures the haunting image of Ophelia “darkening” and a “grieving swallow” accompanying her. The bird, symbolic of the soul, becomes a silent witness to her passage from the realm of the living to that of memory. This final vision of Ophelia with “an off-key song across her shoulders” encapsulates the themes of lost innocence and the sorrow that remains. The swallow’s lament serves as an elegy for all the dreams that die young, a song that resonates throughout “Cyprus Poetry” as a whole, where tragic youth is depicted as a beautiful yet fleeting truth.   Much like Eurydice and Giulietta, other tragic heroines who appear in "Thirteen Silk Verses," Ophelia’s tale links the poem to a timeless narrative of love and loss. These mythic allusions enrich "Ophelia Lost," infusing it with layers of cultural resonance. In these lines, the poet captures the spirit of Cyprus itself—its ancient myths, its history marked by conflict, and its enduring beauty, which, like Ophelia, exists on the edge of sorrow. The poem becomes a tribute not only to this tragic figure but to the enduring beauty and fragility that characterize much of "Cyprus Poetry."   Analysis of the Themes in the Poem   "Ophelia Lost" explores themes of love, memory, and mortality. The poem’s central theme of tragic youth resonates with universal archetypes, underscoring the transience of beauty and innocence. By invoking Ophelia, the poet ties personal loss to broader cultural narratives, blending the lover’s individual grief with the timeless sorrow found in myth and literature. The themes of rebellion and freedom emerge as well, particularly in Ophelia’s symbolic flight to the "lilac sea," where she escapes societal constraints in her final embrace of self-determination.   Analysis of the Verse   The poem's free verse structure allows for a fluid, dreamlike progression that mirrors Ophelia’s journey. The lack of rigid form reflects the theme of liberation from convention, and the poetic lines flow with a rhythm that seems almost to drift, echoing the motion of the sea. The verse is characterized by rich, symbolic language and a subtle musicality that complements the poem’s melancholy tone, creating an atmosphere that lingers in the reader’s mind.   Analysis of the Symbolism   "Ophelia Lost" is steeped in symbolism, from the "blood moon" in Ophelia’s hair to the "young forest" and "apple blossom" that signify innocence and paradise lost. The "lilac sea" serves as a metaphor for escape, while her ribbons "nailed to the mast" symbolize the painful yet resolute abandonment of innocence. Each symbol layers meaning upon the narrative, linking Ophelia’s fate to broader ideas of sacrifice, defiance, and the bittersweet nature of freedom.   Main Poetic Imagery   The poem’s imagery is striking and visceral, drawing readers into scenes imbued with both beauty and melancholy. The "white memory" of the forest, the "blood moon" entwined in her hair, and the "yellow boat" that Ophelia steers through the waves create a vivid tapestry of visual and sensory experiences. This imagery invites readers into a world where the lines between life and death, memory and reality, blur, evoking the surreal quality of grief and remembrance.   Religious Symbolism Impact   Religious symbolism in "Ophelia Lost" adds depth to the poem’s exploration of innocence and sacrifice. The "pious chapel" where the lovers bury their "fledgling sainthood" suggests the relinquishing of innocence and hints at a rebellion against imposed morality. The image of the altar and the ritual of burial connect Ophelia’s story to a sacred context, portraying her fate as a solemn and inevitable rite. These elements enrich the narrative with a spiritual dimension, reinforcing the poem’s meditation on mortality and the search for meaning in loss.

The Enigmatic Allure of Lilith “Her gates are gates of death, and from the entrance of the house she sets out towards Sheol” * Thursday’s child gallops bareback from the bleak wasteland of the desert into Inanna's garden; she sprinkles verses at her feet and whispers: "On the seventh day, I will be your only lover." With her parchments torn and fading she slithers through the borders of an eerie galaxy into the world of a corrupted seraph's dark existence. She lies naked with lime blooms until the interloper is destroyed and wrecked and panting on her knees, Eve pleads with her for an end to such a cold winter. The clay basil pot is cracked and the road to her bedroom door lies in ruins. A foaming myriad of primal satyrs rip the first bride apart and many more inside the womb of her twisted mind pine for the birth of her wayward children.   In his bedroom chamber, the hapless groom betrayed and seedless weeps with dreams of Lilith astride an owl hurtling to The Cities of the Sea. * Proverbs 2:18–19 Based loosely on early Spanish Kabbalistic mysticism . A few words about the poem… A Dark Myth: Lilith's Unveiling and the Quest for Forbidden Wisdom   In the depths of a dark myth and legend, there exists a figure both enigmatic and haunting—an embodiment of darkness and temptation. Lilith, the mythical first woman and wife of Adam, mentioned briefly in biblical texts and revered in various Middle Eastern traditions, continues to captivate scholars and seekers of forbidden knowledge. Her existence carries dark implications, intertwining with the realms of Judaism and Christianity, leaving an indelible mark on the collective psyche.   Lilith emerges from the shadows of history as Thursday's child, galloping bareback from the desolate wastelands of the desert. She arrives in Inana's garden, sprinkling verses at the deity's feet, whispering promises of exclusivity on the seventh day. Her parchments, torn and fading, bear witness to her descent along the borders of an eerie galaxy, delving into the twisted world of a corrupted seraph's existence.   Naked amidst lime blooms, Lilith, the first bride, lies in wait, biding her time until the interloper, Eve, is destroyed and panting on her knees, pleading for an end to the cold winter that has enveloped her existence. The clay basil pot lies cracked, a testament to the ruinous path leading to Lilith's bedroom door. Within her twisted mind, a multitude of wayward children yearn for an early birth, while a foaming myriad of primal satyrs rips her apart. In his bedroom chamber, the hapless groom betrayed and left seedless, weeps. Dreams of Lilith astride an owl, hurtling towards The Cities of the Sea, haunt his nights.   Lilith's allure lies in her defiance, and her refusal to be subservient to the divine order. In some interpretations, she represents a feminist rebellion against patriarchal norms. Scholars and seekers of esoteric wisdom delve into the mysteries surrounding her existence, attempting to unravel the secrets she holds within her dark realm. Her relevance in both Judaism and Christianity stems from her connections to creation, temptation, and the unravelling of human desires.   In Jewish folklore, Lilith is believed to be Adam's first wife, created as his equal. Her refusal to submit to Adam's dominance resulted in her exile and subsequent transformation into a demoness, tormenting newborn children and inciting nocturnal emissions. In Christianity, her presence is more veiled, often associated with seduction and spiritual temptation. The remnants of her mythical existence reverberate throughout various cultures, leaving traces of fascination and fear.   In this poetic exploration of Lilith's essence, the shadows of her enigmatic character are summoned. The poem draws from the murky depths of ancient legends and Kabbalistic mysticism, evoking a sense of mystery and darkness. Lilith's story echoes through the ages, inviting contemplation of the human condition, the boundaries of desire, and the consequences of defying established norms.   As scholars and seekers delve into the depths of Lilith's narrative, they find themselves confronted with the interplay of light and darkness, temptation, and redemption. Her existence remains shrouded in myth, yet her relevance persists, forever etched in the annals of forbidden knowledge and the realms of the subconscious. Lilith, the dark seductress, continues to whisper her secrets, enticing those brave enough to venture into her mysterious domain.

A young girl on the brink of a new life, or a new nightmare? Sweet songbird of Saranti look at the purples in the hills see the vines on the slopes with red and white grapes. Strange songsmith of the flatlands I see the vineyards and the forests but the grapes are still green and the rocks are soaked in brine from the grief of weeping songbirds. Hear the gallop of red horses they are coming to steal the water; listen to my brothers weeping on a stick with honey and lime. Sweet songbird of Saranti come with me to the harbour into the house by the quay, before the fairy's voice lures you to the sticks with honey and lime. In our lemon-scented bedroom we'll feast on grapes and honey drinking water from the well before the horses come to steal it. My lover from the flatlands I fear the gallop of red horses and the sticks with honey and lime. The red riders will pull my fledgling feathers, they’ll put me in a jar and my smooth white thighs they'll sell to the highest bidder. A few words about the poem… Sweet Songbird: A Tale of Allure and Peril – A Coming-of-Age Poem   The coming-of-age poem "Sweet Songbird," from the collection "Cyprus Poems," is an evocative narrative steeped in allegory and imagery. Set against the backdrop of Saranti’s verdant hills and contrasted with the enigmatic flatlands, the poem offers a meditation on innocence, seduction, and the lurking dangers of the unknown. The verses reveal a delicate interplay of beauty and trepidation, drawing the reader into a tale where the allure of freedom and the shadow of peril coexist.   At its core, "Sweet Songbird" portrays the conflict faced by a young girl, symbolised by the titular songbird, who is torn between the safety of her pastoral home and the temptations offered by an uncertain, possibly dangerous, future. The interplay between the Songsmith and the Sweet Songbird enriches the narrative, creating a dialogue laden with tenderness, caution, and unresolved tension.   The opening stanza introduces Saranti’s serene hills and abundant vineyards, painting a picture of pastoral tranquillity. However, the Sweet Songbird’s reply disrupts this calm with subtle foreboding. Her observation that the "grapes are green" reflects her awareness of her youth and inexperience, while the "rocks soaked in brine" evoke the tears of those who have suffered before her in the city. This interplay between the vitality of nature and the sorrow it conceals underscores the poem’s central theme of innocence overshadowed by lurking danger.   The Songsmith, positioned as both narrator and seemingly protector, beckons the Sweet Songbird to join him in a haven. He promises a sanctuary filled with honey, grapes, and well water, a life untainted by the chaos heralded by the "red horses." However, the Songbird’s reticence and haunting imagery of fledgling feathers plucked and thighs sold suggest an awareness of the dangers that lie ahead, particularly for young women navigating a world rife with exploitation and deception.   The allegorical tension between the Songsmith and the Sweet Songbird deepens as the dialogue unfolds. While the Songsmith offers a vision of idyllic domesticity, the Songbird's fears reflect the reality of betrayal and violence often masked by promises of safety. Her apprehension regarding the "red horses" and "sticks with honey and lime" hints at societal forces that prey upon the vulnerable, particularly women transitioning from adolescence to adulthood.   The vivid imagery of "Sweet Songbird" invites the reader to interpret its themes on multiple levels. The poem functions as a cautionary tale about the seductive pull of seemingly benign opportunities that conceal hidden dangers. It also explores the complex interplay of power, protection, and predation, embodied by the Songsmith’s ambiguous role.   Analysis of the Themes in the Poem   "Sweet Songbird" explores several interconnected themes, including innocence, temptation, and exploitation. The poem’s narrative follows the Sweet Songbird's coming-of-age journey, marked by her growing awareness of the dangers inherent in stepping beyond the boundaries of her pastoral home. Her fears encapsulate the vulnerability of youth, especially young women, in a world that often objectifies and commodifies innocence.   The motif of the "red horses" serves as a symbol of impending threat, representing external forces that disrupt the Songbird’s sheltered existence. Similarly, the "sticks with honey and lime" underscore the insidious nature of temptation, appearing sweet and harmless yet masking deeper dangers. These themes resonate universally, transcending the Cypriot setting to reflect a broader commentary on societal exploitation and the challenges of navigating adulthood.   The contrasting figures of the Songsmith and the Songbird highlight the tension between protection and control. While the Songsmith appears to offer refuge, his intentions remain ambiguous, reflecting the complexities of human relationships and the blurred lines between care and dominance.   Analysis of the Verse   The poem’s structure alternates between the voices of the Songsmith and the Songbird, creating a conversational rhythm that mirrors the tension in their relationship. The free-verse form allows the narrative to flow organically, capturing the shifting emotions and perspectives of the characters.   The Songsmith’s verses are marked by an inviting tone, filled with imagery of abundance and safety. In contrast, the Songbird’s responses are tinged with apprehension, her vivid descriptions of the "rocks soaked in brine" and "red riders" painting a more ominous picture. This juxtaposition between reassurance and fear heightens the poem’s emotional impact, drawing the reader into the internal conflict faced by the Songbird.   Analysis of the Symbolism   Symbolism pervades "Sweet Songbird," layering the poem with profound meaning that amplifies its themes of innocence, peril, and exploitation. Central to the poem is the metaphor of the songbird, representing the youthful and vulnerable, often lured by promises of wonder and opportunity, only to be ensnared by the harsh realities awaiting them. The Sweet Songbird’s hesitation and ultimate fear of the “sticks with honey and lime” encapsulates this tension, serving as a chilling allegory for the dangers young girls face when stepping into an unfamiliar world.   The "sticks with honey and lime" hold cultural resonance, referencing a cruel Mediterranean custom of trapping migratory blackbirds. Coated with lime and honey, these sticks are placed in vineyards to ensnare birds, which die an agonising death once caught. The trapped birds, often pickled and sold illegally as delicacies in restaurants, become a powerful symbol of exploitation and cruelty disguised as sweetness. This imagery enriches the poem's allegorical depth, juxtaposing the apparent allure of opportunity with the grim consequences of entrapment.   The "red horses" that "gallop to steal water" evoke a dual sense of threat and exploitation. They embody the destructive forces that prey upon the songbird’s innocence, while the imagery of water—essential for life—being stolen reinforces the theme of vulnerability and loss. These red horses, with their vivid, almost apocalyptic connotations, heighten the urgency of the songbird's plight, symbolising both physical and emotional predators.   The "rocks soaked in brine," described by the Sweet Songbird, further deepen the poem’s symbolism. The brine, evocative of tears, hints at the sorrow and suffering of those who have fallen victim to the same fate she fears. This allusion connects her story to a broader narrative of collective grief, underscoring the cyclic nature of such exploitation.   The contrasting imagery of grapes—ripe in the Songsmith’s eyes but green to the Sweet Songbird—symbolises the disparity in perception between the older, possibly complicit figure and the younger, self-aware individual. To the Songsmith, the grapes signify readiness and opportunity, but to the Sweet Songbird, their greenness reflects her recognition of her tender age and the premature pressures placed upon her.   Lastly, the ruined innocence of the Sweet Songbird mirrors the brutal fate of the trapped blackbirds, aligning her journey with their plight. Just as the blackbirds are commodified for a delicacy, the songbird fears becoming an object of trade, her body and freedom stolen for the pleasure of others. Through this potent symbolism, the poem weaves a cautionary tale about the exploitation of youth, the fragility of innocence, and the disguises that predators adopt to ensnare their prey.   Main Poetic Imagery   The poem’s imagery is a tapestry of contrasting elements, blending the idyllic and the foreboding. The "purples in the hills" and "lemon-scented bedroom" evoke a sense of pastoral beauty and sensuality, while the "rocks soaked in brine" and "red horses" introduce darker, unsettling elements.   The vivid description of the Songbird’s plight, from the fledgling feathers plucked to her thighs sold, creates a visceral depiction of vulnerability and loss. These images resonate deeply, encapsulating the poem’s themes of innocence imperilled and the harsh realities of exploitation.   Religious Symbolism Impact   Religious symbolism subtly underpins the narrative, reflecting the moral and ethical tensions within the poem. The "sticks with honey and lime" evoke sacrificial offerings, suggesting a connection between the Songbird’s plight and broader themes of innocence and redemption. The contrast between the Songsmith’s promises of safety and the Songbird’s fears of betrayal mirrors the dichotomy between divine protection and human frailty.   The poem’s religious undertones add depth to its exploration of societal dynamics, highlighting the ways in which innocence is both revered and exploited. Through its vivid imagery and multifaceted symbolism, "Sweet Songbird" invites readers to reflect on the complexities of human relationships, the allure of temptation, and the enduring struggle for autonomy and self-determination.   This essay pays homage to the narrative and thematic richness of "Sweet Songbird," offering an in-depth analysis that captures the beauty and intricacy of its verses. The poem’s inclusion in "Cyprus Poems" underscores its significance within Cyprus Poetry, enriching the collection with its poignant exploration of innocence, transformation, and the challenges of navigating an unpredictable world.

Goblin Market: Forbidden Fruit Theofani, wrecked in the scent of Mary Jane, pirouettes late into the night on the bridge of the village river. She shudders in its whirling waters in the arms of elfish naiads and has the taste of sullied apples on her lips picked from the sour bishop’s garden. ‘Eat child’, chirps a playful goblin with translucent crimson wings hiding in a pot of perfumed basil. A frenzied night muddies the river’s waters and in the morning the town’s envious virgins scorn her. Touched by the goblin’s madness, they gallop bareback to the ruined Basilica on the Pasha’s foaming mule. The demon gods return victorious marching proudly into the wasted temple. ‘Where are the new Olympians?’ she asks in awe of her ungodly lover. Theofani drifts into the maroon horizon craving the breath of a scarlet day and the goblin digs his nails into her spine until she howls with pain and pleasure. A few words about the poem… Theofani: A Surreal and Sensual Odyssey in the "Cyprus Poems"   "Theofani," a standout poem from the collection Cyprus Poems, intricately weaves surreal imagery with themes of awakening, rebellion, and transformation. Situated in the mystical landscape of early 20th-century Yialousa, Cyprus, the poem encapsulates a world where the tangible and supernatural merge, crafting a narrative that is at once vivid and enigmatic. Through Theofani’s journey, the reader encounters a tapestry of mythological symbols, societal tensions, and the intoxicating allure of forbidden experiences.   The opening stanza immerses the reader in a nocturnal scene rich with sensory detail. Theofani, surrounded by the “scent of Mary Jane,” pirouettes on a village river bridge, her movements a blend of intoxication and unrestrained joy. This imagery sets the tone for a narrative that shifts fluidly between the earthly and the surreal. Her dance on the bridge, a liminal space between land and water, prefigures her crossing into a realm where societal norms dissolve, and personal transformation begins.   The surreal intensifies as the river's waters become a stage for mythical beings. The naiads, elfish figures from folklore, symbolise the river’s dual nature as a source of life and chaos. Their embrace hints at liberation, yet their presence also underscores the unpredictable forces of nature and emotion. The “sullied apples” offered by the goblin, plucked from the “sour bishop’s garden,” invoke Biblical imagery of temptation and fall, yet the ecclesiastical figure’s presence infuses the scene with irony. This moment becomes a defiant twist on the archetype of forbidden fruit, portraying Theofani as a willing participant in her own awakening.   The goblin’s playful yet sinister role evolves as he emerges from a “pot of perfumed basil.” His translucent crimson wings, both alluring and dangerous, represent the tension between innocence and corruption. His coaxing command, “Eat, child,” echoes mythological sirens, enticing Theofani to embrace the forbidden. This interaction signals the beginning of her descent into chaos, one that muddies the waters of her existence both literally and metaphorically.   In the aftermath of the night’s frenzy, the poem shifts focus to the reaction of the village’s virgins. Their scorn reflects societal condemnation, yet their subsequent actions betray a shared yearning for freedom. The goblin’s and Theofani’s bareback ride to the ruined Basilica, atop the “Pasha’s foaming mule,” is laden with imagery of rebellion and suppressed desires erupting into wild abandon. The ruined Basilica, once a symbol of religious authority, now stands as a site of desecration and transformation, embodying the collapse of societal norms in the face of primal forces.   As the poem progresses, demon gods enter the wasted temple, marking a dramatic departure from the ordinary. Their triumphant march and Theofani’s awe-filled question, “Where are the new Olympians?” highlight a clash between the sacred and the profane, the ancient and the contemporary. Her fascination with these chaotic deities mirrors her own transformation, as she aligns herself with forces that challenge the rigid moral structures of her world.   The poem concludes with Theofani’s retreat into the “maroon horizon,” an evocative image of transition and liminality. Her craving for the “breath of a scarlet day” suggests a desire for renewal and liberation, while the goblin’s physical and emotional hold on her signifies the inextricable ties between pleasure and pain, freedom and surrender.   Analysis of the Themes in the Poem   "Theofani" is a layered exploration of themes such as sexual awakening, societal repression, and mythological transformation. At its heart lies Theofani’s journey from innocence to experience, as she embraces forbidden desires and rejects conventional expectations. The goblin, with his dual role as seducer and catalyst, embodies the transformative power of desire and the tensions it generates within a restrictive society.   The poem also grapples with religious and moral tensions. The ruined Basilica, a sacred space now overtaken by chaotic forces, symbolises the fragility of institutional structures in the face of primal human impulses. The virgins’ secret desires and envy of Theofani highlights the universality of suppressed freedoms, exposing the cracks in a rigidly patriarchal society.   Mythology permeates the poem, linking local Cypriot folklore with universal archetypes. Naiads, goblins, and demon gods blur the boundaries between reality and fantasy, reflecting Theofani’s internal journey toward liberation and the broader human quest for transcendence.   Analysis of the Verse   The poem’s free-verse structure enhances its surreal and fluid quality, mirroring the transformative waters of the river. The lack of strict rhyme or metre allows the narrative to flow naturally, capturing the spontaneity and chaos of Theofani’s experiences. The interplay of short, evocative phrases with longer, descriptive passages create a rhythm that oscillates between urgency and reflection.   The poem’s imagery is strikingly vivid, with the recurring motif of water symbolising change, chaos, and emotional depth. The "maroon horizon" and "scarlet day" employ colour to evoke transition and passion, while the ruined Basilica and sullied apples anchor the poem in a symbolic landscape of rebellion and decay.   Analysis of the Symbolism   Symbolism saturates "Theofani," enriching its narrative with layers of meaning. The river serves as a liminal space, a boundary between the mundane and the mystical, while the naiads and goblin represent the allure and danger of the supernatural. The sullied apples, a nod to Biblical transgression, are reinterpreted within the context of rebellion against ecclesiastical authority, adding a layer of irony to the poem’s religious undertones.   The Basilica, once a site of sacred worship, becomes a symbol of societal decay and transformation. The demon gods’ triumphant entry signifies a reclamation of this space by chaotic, primal forces, challenging traditional notions of sanctity and order. The goblin’s hold on Theofani, both physical and emotional, symbolises the complex interplay of freedom and submission inherent in her transformation.   Main Poetic Imagery   The poem’s imagery is both surreal and visceral, drawing the reader into its dreamlike narrative. Theofani’s pirouette on the bridge evokes a sense of freedom and defiance, while the naiads’ embrace and the goblin’s seductive chant underscore the poem’s themes of temptation and transformation. The use of colour—particularly the maroon horizon and scarlet day—imbues the narrative with a visual intensity that mirrors Theofani’s emotional journey.   Other images, such as the ruined Basilica and the sour bishop’s garden, anchor the poem in a symbolic landscape of rebellion, decay, and renewal. The goblin’s crimson wings and the virgins’ wild gallop further enrich the poem’s visual tapestry, creating a world where the mystical and the earthly coexist.   Religious Symbolism Impact   Religious symbolism is deeply embedded in "Theofani," shaping its narrative and themes. The sullied apples, a subversion of the Biblical story of Eden, challenge traditional notions of sin and redemption. The ruined Basilica, a former site of sacred worship, becomes a symbol of the collapse of religious authority in the face of human desire and rebellion.   The demon gods, as embodiments of chaotic forces, stand in stark contrast to the order and sanctity traditionally associated with religious spaces. Their triumphant entry into the Basilica signals a shift in power, as Theofani and her world are drawn into a realm where primal instincts and spiritual transcendence converge.   The poem’s religious symbolism serves to highlight the tensions between societal norms in Cyprus in the 1900's and individual freedom, tradition and transformation. Through its vivid imagery and intricate narrative, "Theofani" invites readers to reflect on the complexities of human desire, rebellion, and spiritual awakening, making it a compelling addition to the collection Cyprus poems and a profound contribution to Cyprus poetry.

Solitude by a Misty Shoreline I had lived all my life in the foothills of the angry mountain, cowering in worn-out scrolls and faded manuscripts. The early prophecy for me was harsh. ‘You were never meant to scale heights’ his voice warned me when I was seven. Many came past my hovel, some stopped awhile, but no one ever stayed; the lure of the summit was too strong. I envied those with such resolve— men with maps, charts, and compasses. In the season of the final storm, a poet came straddling a mountain tiger with white and yellow stripes. She wore garlands of hibiscus and a crown of verses, she crafted in the cradle of a startling sun. Ignoring the wise judgement of the elders, I fell to my knees and pled with her to stay. I cast all my fishing nets to the north wind and bought a hunter’s gun and knife. She asks for the cracked kaleidoscope a beggar gave me in a downtown favela then she laughs and says “I am too needy”. We writhe and wrestle on a creaky bed for forty days and forty nights. Her thighs are a gateway to Sodom and Gomorrah, and her nipples scarlet red, like strawberries in June. Tomorrow I must face the mountain or, like all others, she will leave me. Throughout the night, I’m tormented by the thought that in the morning, I will find that the stories of fierce monsters and infernos raging on the summit, were never more than just a myth. A few words about the poem…   Relentless Internal Struggles | Poems of Despair   "The Summit" is a poem that navigates the intersection between aspiration and self-doubt, set against the backdrop of an allegorical mountain. The poem portrays an individual who has lived a life defined by restraint and the weight of prophetic admonitions, serving as a powerful example within the genre of Poems of Despair. The narrator's journey is one of introspection, reflecting on the futility of his past existence in the shadow of the ominous mountain, a symbol of unattainable goals and relentless internal struggles.   The poem’s narrative structure unfolds in a progression from resignation to a desperate pursuit of the unknown. The protagonist, confined to the foothills, encounters a poet, who embodies the antithesis of his life’s limitations. This character, a figure of freedom and creativity, provokes a crisis in the narrator, forcing him to confront his long-held fears and doubts. His interactions with the poet are laden with symbolism, where her crown of verses and her mount, a tiger, suggest a primal, almost mystical power that stands in stark contrast to his existence. The struggle between the two characters becomes a metaphorical battle between despair and the faint hope of transcendence.   The poem explores themes central to Poems of Despair, such as the torment of unrealised potential, the conflict between predestination and free will, and the crushing weight of societal and self-imposed limitations. The imagery of the mountain, which dominates the landscape of the poem, serves as a powerful metaphor for the monumental obstacles that often appear insurmountable in life. The narrator’s ultimate confrontation with the mountain signifies a moment of existential reckoning, where the truth of the summit—whether it holds monsters or merely myths—remains unknown, adding to the overall sense of unresolved tension that permeates the poem.   In "The Summit," the poet does not simply lament the despair inherent in the human condition but also examines the forces that compel one to confront or retreat from their fears. The poem’s conclusion, with its lingering uncertainty, encapsulates the essence of Poems of Despair, where resolution is neither offered nor assured, leaving the reader to ponder the outcome of the narrator’s journey.   Analysis of the Themes in the Poem:   "The Summit" delves into several profound themes, primarily focusing on the internal conflict between ambition and fear. The poem reflects on the nature of human limitations, both imposed by external forces, such as societal expectations and prophecy, and internal forces, such as self-doubt and resignation. The theme of despair is ever-present, manifesting in the narrator's struggle to overcome his own perceived inadequacies. Additionally, the poem touches upon the allure of the unknown and the destructive potential of succumbing to fear, emphasising the tension between hope and despair.   Analysis of the Verse:   The poem’s verse is free in form, mirroring the turbulent emotions and chaotic thoughts of the narrator. The lack of a strict rhyme scheme or meter reflects the unpredictability of the journey described in the poem. This free verse structure allows for a more natural expression of the narrator’s inner turmoil, reinforcing the themes of uncertainty and despair. The use of enjambment throughout the poem helps to create a sense of urgency and continuity, drawing the reader into the narrator’s relentless, almost obsessive contemplation of the mountain and his fate.   Analysis of the Symbolism:   Symbolism is a key element in "The Summit," with the mountain serving as the central symbol. It represents the ultimate challenge, the embodiment of the narrator’s fears, and the goal that seems perpetually out of reach. The poet, with her garlands and tiger, symbolizes a force of inspiration and creativity, yet also danger and unpredictability. The kaleidoscope requested by the poet symbolizes the fragmented and distorted view the narrator has of his own life and potential. The mountain tiger may also symbolize the wild, untamed aspects of the human psyche that the narrator has long repressed.   Main Poetic Imagery:   The poem is rich with vivid imagery that enhances its themes. The "foothills of the angry mountain" paints a picture of a life lived in the shadow of something immense and terrifying. The "garlands of hibiscus" and "crown of verses" worn by the poet evoke a sense of beauty intertwined with power. The description of the poet’s thighs as "a gateway to Sodom and Gomorrah" introduces a potent image of temptation and moral conflict, while the "scarlet red" nipples liken her to the alluring and dangerous fruit of the Garden of Eden, suggesting the intertwining of desire and sin.   Religious Symbolism Impact:   Religious symbolism plays a significant role in "The Summit," particularly in the references to Sodom and Gomorrah, which evoke biblical notions of sin and punishment. The forty days and nights the narrator spends with the poet mirror the biblical period of trial and tribulation, suggesting a spiritual and existential test. The poem’s religious imagery underscores the moral and ethical dimensions of the narrator’s journey, casting his struggle in a broader, almost cosmic context. The mountain itself can be interpreted as a symbol of divine judgment or the ultimate test of faith, further enriching the poem’s exploration of despair and redemption.

Passion's Embrace in the Sand - Picture by babymacation.com Each day at noon, I cycled in the pungent fumes of melting tar to a pubescent mirage on the water. We were bound to each other by ancient folklore of the land; I, the young protégée of the sea, seething, always unsated, and she the precious daughter of the master. Dressed in homespun blue she glided to the beach at 2 pm guarded by her father’s scathing psalms and holy hymn books. For many hours, I watched her lay on the rocks in an other-worldly reverie until I could almost taste the salt and seaweed on her sunburnt thighs. Whims of tortured youth— We gorged on sweet apricots and figs drifting on a raft we borrowed from a sightless minstrel. Vengeful monks nailed us on a cross without mercy for the sin of youth. We prayed for us, we prayed for Jesus and together sought refuge from the elders in the vastness of the cerulean sea. A few Words about the poem… A Mirage on the Water – A Cyprus Coming-of-Age Poem In the Coming-of-Age cycle, the poem "A Mirage on the Water" is as a vivid exploration of youthful yearning, set against the timeless allure of the Mediterranean coast of Cyprus. Within its verses, it weaves a tapestry of desire, discovery, and the bittersweet interplay between freedom and societal constraint. Through its narrative of an adolescent’s infatuation with a girl cloistered by religious orthodoxy, the poem unfolds as a lyrical journey through the trials of adolescence and the magnetism of forbidden love. The imagery of the sea—both liberating and confining—serves as an evocative stage where the characters grapple with their burgeoning emotions, each line enriched by the nuanced interplay of nature and culture.   The poem, a significant contribution to the rich tradition of Cyprus poetry, opens with the speaker’s daily pilgrimage, cycling through the oppressive summer heat to encounter a “pubescent mirage on the water.” This phrase encapsulates both the tangible and ephemeral aspects of the encounter. The mirage becomes a metaphor for adolescent longing, ever-present yet unattainable. The interplay between reality and illusion is accentuated by the "pungent fumes of melting tar," grounding the narrative in the physicality of summer while foreshadowing the discomfort and intensity of youthful desire.   The central figures of the poem are united by an ancient folklore that binds them to their environment and to each other. The speaker, depicted as a "protégé of the sea," embodies restlessness and insatiable curiosity, while the girl—"the precious daughter of the master"—is guarded by the weight of her father’s religious expectations. The poem juxtaposes the speaker’s untamed vitality with the girl’s prescribed sanctity, creating a poignant tension that underscores the universal theme of forbidden love. Her "homespun blue" attire evokes both simplicity and modesty, yet her presence on the beach transforms her into an otherworldly figure, suspended between duty and desire.   As the narrative unfolds, the setting becomes an active participant in the lovers’ story. The poetic images of the sea of Cyprus, described as "cerulean" and vast, mirrors their longing for escape and the boundless potential of their connection. Their shared moments—gorging on figs and apricots, drifting on a borrowed raft—are imbued with the innocence and intensity of first love. Yet these idyllic interludes are shadowed by the looming presence of societal judgement, embodied by "vengeful monks” who mete out punishment for their “sin of youth.” The imagery of crucifixion introduces an allegorical dimension, aligning their suffering with a universal narrative of sacrifice and redemption.   The final stanza evokes both despair and defiance. The lovers seek refuge “in the vastness of the cerulean sea,” a domain beyond the reach of their oppressors. The sea, with its dual nature as both sanctuary and abyss, becomes a metaphor for their emotional and spiritual odyssey. Their prayers—for themselves and for Jesus—reflect a poignant merging of personal and divine struggles, inviting the reader to contemplate the intersections of love, faith, and rebellion.   This coming-of-age poem navigates the complexities of youthful passion within the broader framework of cultural and religious constraints. By intertwining personal narrative with universal themes, the poem, an example of modern Cyprus poetry, offers a resonant exploration of the human condition, illuminating the enduring tensions between desire and duty, freedom and tradition.   Analysis of the Themes in the Poem   The central themes of "A Mirage on the Water" revolve around love, rebellion, and self-discovery. At its core, the poem examines the transformative power of youthful passion, capturing the intensity and recklessness that accompany first love. The relationship between the speaker and the girl is framed by the constraints of their cultural and religious milieu, highlighting the tension between individual desire and collective expectation.   The theme of forbidden love is intricately tied to the girl’s status as "the precious daughter of the master," whose father’s hymns and psalms act as barriers to her autonomy. This dynamic reflects broader societal structures within Cyprus that seek to regulate relationships and impose moral codes. The lovers’ rebellion against these constraints is both a personal act of defiance and a universal exploration of the human longing for freedom.   Another significant theme is the interplay between nature and human emotion. The sea serves as a multifaceted symbol, representing both liberation and the vast, uncharted territories of the self. The natural imagery of apricots, figs, and the cerulean sea creates a sensory-rich backdrop that underscores the vitality and impermanence of their connection.   Analysis of the Verse   The poem about forbidden love in Cyprus is composed in free verse, allowing the language to flow organically and mirror the spontaneity of youthful emotion. The lack of a rigid rhyme scheme or metre reflects the unstructured and tumultuous nature of the characters’ experiences. Enjambment is used effectively to sustain the momentum of the narrative, creating a sense of urgency and fluidity that echoes the relentless motion of the sea.   The language is precise yet layered with meaning, balancing tangible details—such as "pungent fumes of melting tar"—with abstract imagery that invites introspection. The shifts in tone, from idyllic reverie to sombre reflection, mirror the emotional highs and lows of the coming-of-age journey, imbuing this Cyprus poem with a dynamic and immersive quality.   Analysis of the Symbolism   Symbolism is a defining feature of "A Mirage on the Water." The sea functions as the central symbol, embodying the dualities of freedom and confinement, life and death, hope and despair. Its vastness offers a sanctuary for the lovers, yet its boundless nature also hints at the risks and uncertainties that accompany their defiance.   The raft, borrowed from "a sightless minstrel," symbolizes the fragility of their escape. It suggests both the precariousness of their love and the guidance of unseen forces—perhaps fate or destiny—that propel them forward. The monks’ crucifixion of the lovers evokes themes of sacrifice and redemption, casting their rebellion as both a personal and universal act of resistance.   Main Poetic Imagery   The Cyprus imagery in the poem is vivid and evocative, painting a sensory-rich portrait of the lovers’ world. The "pungent fumes of melting tar" ground the narrative in the physicality of a Cyprus summer, while the "cerulean sea" and "sunburnt thighs" evoke the allure and intensity of their connection. The imagery of crucifixion and prayer introduces a spiritual dimension, deepening the emotional resonance of their plight.   Food imagery—apricots and figs—serves as a metaphor for the sweetness and transience of their love, while the raft signifies their fragile attempts to navigate the turbulent waters of adolescence and societal constraint. These images, both concrete and symbolic, create a layered and immersive reading experience.   Religious Symbolism   Religious symbolism permeates the poem, shaping its emotional and thematic landscape. The girl’s father, armed with "scathing psalms and holy hymn books," represents the oppressive force of religious orthodoxy. The monks, who "nailed us on a cross," personify the punitive aspects of faith, linking the lovers’ suffering to the broader narrative of martyrdom and redemption.   The lovers’ prayers for themselves and for Jesus suggest a complex relationship with religion, blending defiance with a yearning for divine understanding. This interplay between rebellion and faith adds depth to this Cyprus poem, inviting reflection on the ways in which religious and cultural frameworks shape individual experiences of love and desire.

A Young Woman in a Field of Poppies Camelot, cloaked in mists, shimmers on the distant hilltops. I can still see my footprints, faint and cracked, at its bolted gates . She dresses quietly, our eyes never meet and Guinevere leaves even before the door has closed. In silence, I sit late into the night listening for her footsteps, but I know the trains have stopped running. In a panic, I run into my world between the pencil and the page. I write all my memories, some true, most imagined— imagined memories are better than no memories of her at all. Snow is falling on the roof. May’s poems shiver on the page, the garden spiders died in September and the nights are drawing in. Winter has arrived. Part of the Old Stories cycle of poems A few words about the poem… Winter - A Poem of Loss in the Series Melancholy Poems   "Winter" explores themes of loss, memory, and the passage of time through a narrative imbued with a subtle sense of melancholy. The poem opens with a vision of Camelot, cloaked in mists and shimmering on distant hilltops, invoking a sense of mythical beauty that contrasts with the stark reality of the speaker's present. The footprints outside Camelot’s bolted gates suggest a past once accessible, now closed off and unreachable.   The relationship between the speaker and Guinevere is central to the poem. The quiet dressing and the absence of eye contact signify a profound disconnect, her departure leaving the speaker in a state of solitary reflection. The silent, late-night vigil, coupled with the cessation of trains, symbolizes the end of movement and communication, further emphasizing the finality of her departure.   The speaker’s response to this loss is to retreat into the realm of writing, where memories, both true and imagined, offer solace. The act of writing becomes a means to preserve and recreate the past, suggesting that the imagined memories provide a comfort that reality no longer can.   The imagery of snow falling on the roof, melancholy poems shivering on the page, and the death of garden spiders heralds the arrival of winter, both literally and metaphorically. The seasonal change reflects the speaker’s internal landscape, marking the onset of a period of introspection and emotional coldness.   Overall, "Winter" presents a poignant meditation on the nature of memory and the inevitability of change, using rich imagery and a reflective tone to convey its themes. The poem’s subtle interplay between myth and reality, memory and imagination, encapsulates the speaker's struggle to cope with loss and the passage of time.

Love in the Shadows I’ve cast my crumbling journal to the winds and now only the breeze will ever know her secret; but the breeze allured by melting snowflakes has fled for shelter into the silence of the caves. Her porcelain beauty sparkles in the tunnels and a gloam lilac light embroiders thirteen silk verses on the lace of her raised gown. Soon, the deranged guard will come on his silver bike craving the stern sobriety of the winter blizzard. Violet whispers and the drunken poetry of fifteen dancing cicadas drown the furious orders of the priest. “They will die by the morning” he howls in distress to the north wind but no one will listen to his sermon. The preacher chants a canticle from his god-fearing parchments but he is too late to scold us and all the poppies burst open on the rocks with ungodly relish. Part of the cycle of poems thirteen silk verses A few words about the poem… The Enigmatic Journey of Thirteen Silk Verses - From The Collection Cyprus Poems   Amidst the enchanting and surrealist verses of "Thirteen Silk Verses," a coming-of-age poem within the "Thirteen Silk Verses" cycle, a realm of intricate emotions and imagery unfolds, woven into a tapestry of enigmatic beauty. These verses beckon the reader to a land and time where defiance and reverence intermingle, capturing a deeply religious setting where love and innocence exist under the weight of societal expectations. In a world where clandestine feelings are restrained by cultural and religious norms, the poem delicately presents a young couple’s tentative journey into a forbidden romance, as they meet at the sea and find themselves caught between personal longing and the rigid disapproval of a watchful society.   The poem, from the larger collection of Cyprus Poems opens with the narrator discarding his crumbling journal to the winds, symbolising the relinquishing of secrets and memories to the elements, as if to protect them from society’s critical gaze. Only the breeze holds her secret now, carrying whispered affections into the silence of hidden caves. These same caves, sheltering what society cannot see, become a sanctuary for the young couple's budding love. Her porcelain beauty, glowing within the dim, lilac-lit tunnels, imbues her with an ethereal presence as "thirteen silk verses" are embroidered onto the lace of her gown, creating a fragile yet profound image of youthful innocence on the edge of discovery. This whispered intimacy, captured in the poem, evokes the hushed and restrained nature of their love, conveyed as a silent rebellion against societal constraints.   As the snowflakes yield, the breeze becomes the silent guardian of whispered secrets, carrying them through ethereal corridors of time. In this cryptic ballet, a porcelain beauty graces dimly lit tunnels, her gown transformed into a canvas that lilac light adorns with verses spun from silk. Violet whispers rise, a haunting echo matched only by the mysterious melodies of dancing cicadas. Here, within the symphony of nature, the priest's commands wane, his presence dissolving like mist in the wind. Instead, red poppies burst forth on the rocks, a vibrant testament to defiance, as the human spirit embraces resilience with unyielding fervour.   Nature itself seems to defy the rigid moral codes, as cicadas and wild poppies rise in subtle rebellion against the fury of the preacher and the priest, whose attempts to control the couple’s burgeoning love go unanswered. In one striking scene, the priest’s furious commands are drowned out by the cicadas’ song, while the guard, arriving “on his silver bike,” is likened to the winter blizzard, a cold and unrelenting force intent on quashing their intimacy. But nature—lush and unapologetic—asserts its own beauty and life, a silent but vibrant reminder that love, like the poppies, will bloom despite all obstacles.   Beyond the tapestry of words lies an intricate puzzle, a dance of interpretations waiting to be discovered. The verses, seemingly distant from reality, reflect a mirror upon which one's own journey of defiance and strength is cast. A reflection of whispered desires and concealed intentions, this series dances on the edge of understanding, a labyrinth where the mystique is an integral player.   "Thirteen Silk Verses" is a celebration of human intricacies, an exploration of beauty that is as elusive as it is alluring. Through its whispers and secrets, it becomes a riddle to decipher and a journey that captivates the curious. The poem beckons, a siren's call into the depths of the unknown, where defiance and beauty intertwine, and interpretations waver like shadows in the mist. The sea, the breeze, the caves, and even the wild poppies in bloom become accomplices in this secret romance, embodying a gentle rebellion that defines the collection “Cyprus Poems” in its timeless, understated beauty.   Analysis of the Themes in the Poem   "Thirteen Silk Verses" traverses themes of forbidden love, innocence, and defiance against societal expectations. This young couple's love, expressed through glances and whispered secrets, is set against the backdrop of a conservative society, which imposes a strict moral code. Within this framework, the poem examines the tension between personal desire and communal judgment. The notion of innocence intertwined with rebellion permeates the verse, as the couple’s love is portrayed as both pure and defiant. Their feelings, intimate and tender, are sheltered within the natural world, suggesting a deep bond with nature that transcends human law and mirrors the beauty of unspoken, restrained affection.   Analysis of the Verse   The poem employs free verse, allowing each line to flow organically, echoing the unrestrained nature of the protagonists' feelings. The stanza breaks create pauses that mirror moments of tension and reflection, while the verse structure captures a sense of movement and subtlety. This fluid form is interwoven with evocative imagery and symbolic references that invite the reader to linger on each moment of secret longing. The rhythm in the verse captures the quiet rebellion against societal constraints, using shifts in pacing to underscore the oscillation between secrecy and defiance, embodying the very nature of the protagonists’ connection.   Analysis of the Symbolism   Symbolism plays a vital role, adding layers to the poem’s narrative of hidden love and defiance. The journal cast to the wind reflects the narrator’s decision to release control, entrusting memories to nature as if in tacit defiance of human judgment. The “breeze” itself becomes a carrier of secrets, guiding their story to the hidden “caves,” which serve as a metaphor for both sanctuary and the unspoken realm of their love. Other symbols, such as snowflakes and cicadas, represent fleeting moments and the resilience of natural life, while the “silver bike” of the guard symbolizes societal oppression, metallic and cold, in stark contrast to the warm, organic imagery of the couple’s surroundings. Each element is carefully selected to contrast society’s constraints with the organic beauty of nature and love.   Main Poetic Imagery   The poem’s imagery envelops readers in a world of hidden intimacy and youthful longing, with recurrent images of light and shadow. The portrayal of “thirteen silk verses” embroidered on the lace of her gown invites the reader to visualise her innocence and beauty as tangible, woven into the very fabric of the scene. Lilac light casts an ethereal glow, creating an almost magical aura around the young woman and evoking a surreal atmosphere that distances their love from the harshness of reality. The natural imagery of violets, cicadas, and wild poppies bursting on the rocks further imbues the scene with life and colour, grounding the poem in the earthy, tactile world even as the couple’s emotions transcend the physical.   Religious Symbolism Impact   Religious symbolism is woven into the poem to highlight the clash between personal feeling and societal expectation. The preacher, representative of moral authority, chants from "god-fearing parchments," embodying the institutional force against which the young lovers rebel. This symbolism intensifies as the preacher’s stern voice fades into the background, overpowered by cicadas and natural sounds that reflect the resilience of nature and love. The use of “poppies bursting open” symbolises the triumph of beauty over constraint, the force of life overpowering suppression. Through this religious symbolism, "Thirteen Silk Verses" captures the tension between orthodox values and human emotion, while ultimately aligning the lovers with the natural world’s unyielding beauty and strength.

Seductive Scarlet In a cavern full of chameleons and green apples, the actor binds the virgin to his bed made of silk. Many moons and years ago mama begged her to wear white but the child dressed in crimson. A priest comes to the forest riding a crusader's rusty cross— he wants to save the virgin for the faith. Incantations and incense fill the air but his prayers are all in vain. Claudius lures the virgin's honour to his bed and the actor and the nymph sweat all night. The chameleons and the river turn to crimson, the scent of blood and apples fills the cavern and the town begins to wonder: 'If only she wore white and not crimson.' A few words about the poem… A Coming-of-Age Poem: Choices and Consequences in the Realm of Fantasy Within the enchanting depths of a hidden realm lies "The Crimson Virgin," a coming-of-age poem by the Cyprus poet Chris Zachariou. Delicately weaving a tale of choices and consequences, the poem employs a vivid palette of symbols and metaphors. The colour crimson emerges as a potent symbol, representing the intricate dance of sexuality and desire. Years ago, bathed in the glow of countless moons, the girl's mother pleaded for her to embrace the purity of a white gown. Yet, the young maiden's rebellious spirit sought solace in the embrace of a vibrant, defiant hue: crimson. In this seemingly innocent act of self-expression, a subtle rebellion is born, laying the foundation for the tempestuous journey that lies ahead. It is within this vibrant hue that our young protagonist finds herself ensnared, her allure captivating yet unsettling the townsfolk. Amidst their mistrust, an enigmatic priest emerges, his intentions veiled and doubted. Both the actor and the chameleons symbolize the masks we wear, concealing hidden intentions in a world teeming with duplicity. The luscious apples, reminiscent of forbidden fruit, embody the perilous allure of a young girl's burgeoning sensuality. With subtlety and nuance, the poem navigates the complex exploration of choices, delving into the depths of human nature, and illuminating the eternal struggle between virtue and temptation. "The Crimson Virgin" is an exploration of choices made in youth, and the indelible mark they leave upon the tapestry of life. Through its mystical and alluring voice, the poem warns of the dangers lurking within the seductive embrace of forbidden desires. It beckons readers to contemplate the consequences of their own choices and the indomitable power of sexual allure.

In the Moon's Embrace the moon child beats a tune on her shiny skinless drum she beats a tune without a beat on her drum without a skin and the fairies lure the moon child to the forest with red berries ‘don't eat the berries’ cries her father ‘don't eat the berries’ begs her mother red juices running down on her tongue and pouting lips red juices stain her gown red juices on her pale pristine gown from her toes up to her neck red, red, red, there are stains on her gown and the child and the fairies they dance till three a.m. 'If I tell you a real secret will you keep it from your mama?' the wicked witch whispers softly to the curious child 'but be careful if you do vicious crows will peck your eyes' rampant vipers chase the child all the way onto the altar the red stains on her gown driving the serpents wild and a goblin gives the moon child twelve doughnuts soaked in honey 'don't eat the doughnuts' cries her father 'don't eat the doughnuts' begs her mother honey oozes from her mouth crumbs and sugar on her lips red paint stains the ark red paint fills the rivers red paint drowns the dove the moon child beats a tune on her shiny skinless drum she beats a tune without a beat on her drum without a skin and the child and the witch the serpents and the goblin they dance till three a.m. then they drag her down the staircase red stains on her shroud crumbs and sugar on her lips   A few words about the poem… A coming-of-age poem: Choices and Consequences in the Realm of Fantasy In this evocative coming-of-age poem, moonbeams gracefully traverse ethereal landscapes, illuminating a mesmerizing journey—a disturbing tale of a young girl's sexual awakening. It invites us to wander through moonlit woods, where anticipation hangs in the air, and mystical creatures lurk, their presence both captivating and tinged with unease. Within whispered secrets, malevolent fairies hover, their intentions veiled in mischief. They tempt our young protagonist with forbidden crimson berries, enticing symbols of desire that dangle before her innocent gaze. Yet, as she ventures deeper into the nocturnal woods, the enigmatic presence of a wicked witch casts an alluring but cryptic spell upon her path. This poetic odyssey of innocence and awakening intertwines desires and destinies. It is part of a compelling series of poems exploring the choices we make in life and their enduring consequences. Guided by the radiant moon, our young heroine navigates each twist and turn, serving as a poignant reminder of the delicate balance between curiosity, longing, and the weight of our actions. The reader is invited to witness the dance between innocence and experience, and the evoking of a symphony of emotions. Through the poem’s lens, the moon becomes a metaphorical beacon, illuminating the labyrinthine paths we traverse in our existence. It is a tale that resonates with the timeless human condition, where desire and destiny entwine.