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Men with God on their side fly high in the burning skies. Napalm death pours down on little children fleeing in terror their tiny bodies burning. Rotting corpses cover all the fields for miles around but the man with the German twang commands his men to drop more bombs and for that he wins the Nobel prize. In a walled city in another country men who dress in red and black live and pray in gilded churches. They feast on lamb and wine to the sound of children sobbing and ignore the blood and tears staining their feather beds. They too are men who claim to have God on their side. A few words about the poem… Anti-War Poems: A Reflection on “Suffer the Little Children'"   "Suffer the Little Children" presents a stark and harrowing portrayal of the innocent victims of war, examining the devastating consequences of conflict on those least able to defend themselves. Part of the anti-war poems collection, it intertwines vivid imagery and biting irony to highlight the brutality of war, particularly the suffering inflicted upon children. This piece fits within the broader tradition of poetry that seeks to give voice to the voiceless, underscoring the moral corruption inherent in the pursuit of power and the hypocrisy often present among those who justify their actions through religious or ideological fervour.   The poem opens with a chilling contrast: “Men with God on their side / fly high in the burning skies.” This juxtaposition of divine endorsement with acts of violence serves to critique the way religion or ideology is often invoked to justify the most heinous acts. The subsequent imagery of “Napalm death” raining down on “little children fleeing in terror” starkly captures the horror experienced by the innocent victims of war. The poet’s choice to focus on the children’s “tiny bodies burning” intensifies the emotional impact, illustrating the unimaginable pain and fear suffered by those caught in the crossfire of conflicts they neither started nor understand.   The poem’s second stanza continues this theme of moral decay, as the fields are described as being covered in “rotting corpses,” yet the figure of authority—a man “with the German twang”—remains unmoved. His command to “drop more bombs” despite the carnage below not only emphasises his indifference to human suffering but also critiques the larger systems of power that reward such callousness. The bitter irony of this man receiving a Nobel Prize serves as a scathing indictment of the hypocrisy often found within institutions that claim to uphold peace and justice, yet are complicit in the perpetuation of violence.   In the final stanza, the poem shifts focus to another group of men, this time depicted as residing in a “walled city” and dressed in “red and black.” These figures, who live in luxury and piety, are starkly contrasted with the suffering of the children whose cries they ignore. The imagery of “blood and tears” staining their “feather beds” serves as a powerful metaphor for the moral and spiritual corruption that results from turning a blind eye to the suffering of others. The poem suggests that these men, like those dropping bombs, claim to have “God on their side,” thus critiquing the broader societal and religious structures that allow such atrocities to occur.   In this exploration of the innocent victims of war, "Suffer the Little Children" confronts the reader with the brutal realities of conflict and the moral failings of those who perpetrate and perpetuate violence. The poem’s unflinching depiction of suffering, coupled with its critique of hypocrisy and the misuse of religious justification, positions it as a powerful commentary on the human cost of war. By focusing on the plight of children, the poem underscores the profound injustice faced by those who are most vulnerable, offering a poignant reflection on the true cost of conflict. Through its vivid and unsettling imagery, the poem forces the reader to confront the uncomfortable truth that, in war, it is often the innocent who suffer the most.

Rachel with a yellow star on her tiny little arm walks into the jaws of death. Smoke pours out of the chimney and the smell of burning flesh hangs heavy in the air. Ismail is screaming. He cannot see but still can feel his leg that's no longer there. Death keeps falling from the sky and all the time you can hear the cries of children dying. Mariam embraces her future— a stick of dynamite and a gun. Then she walks into a mosque. A few words about the poem… Little Children – The Innocent Victims in the Anti-War   "Little Children" presents a stark portrayal of the innocence lost amidst the horrors of war and persecution. The imagery in this poem underscores the vulnerability and tragic fate of children caught in such devastating circumstances.   The poem, part of the collection “Anti-War,” opens with Rachel, a child marked by a yellow star, a symbol of the Holocaust. The mention of her "tiny little arm" emphasizes her youth and innocence, starkly contrasting with the "jaws of death" she walks into. The subsequent lines evoke the grim reality of concentration camps, where "smoke pours out of the chimney," and the "smell of burning flesh" serves as a harrowing reminder of the lives lost in such brutal settings.   The second stanza shifts to Ismail, whose suffering is palpable. His scream and the vivid description of his phantom limb pain reflect the ongoing trauma experienced by victims of violence. The imagery here highlights the indiscriminate nature of war, where even the youngest are not spared its cruelty.   The third stanza generalizes the plight of children in war zones, with "death keeps falling from the sky" symbolizing bombings and aerial attacks. The "cries of children dying" resonate as a universal cry for help and a testament to the widespread impact of conflict on the youngest and most defenceless.   In the final stanza, Mariam's tragic embrace of violence illustrates the cycle of despair and radicalization. Her transformation from innocence to an instrument of terror is a powerful commentary on the corrosive effects of war on the human spirit. The juxtaposition of her actions with the setting of a mosque, a place of worship and peace, further intensifies the tragedy of her lost childhood.   Overall, "Little Children" captures the heart-wrenching experiences of children in times of extreme adversity, conveying their suffering and the devastating loss of innocence through stark, unembellished imagery.

The Haunting Echoes of Betrayal My imagined life: All the photos in the hall football games in the park on Sundays birthday songs and squeals of laughter. With a red carnation on his lapel, dark glasses and a menthol cigarette he takes your hand and I nearly die. I envy him; This icon and hero of our times who takes it all from me so easily and with such panache. Part of the Old Stories cycle of poems A few words about the poem… Melancholy Poems: A Tale of Betrayal and Loss   In "Melancholy Poems: A Hero of Our Times," the poet navigates the terrain of shattered dreams and fractured relationships, crafting a narrative that resonates with the haunting echoes of betrayal and loss. Within the tapestry of reminiscence, the protagonist's imagined life unfolds against a backdrop of idyllic scenes and cherished memories, only to be irrevocably altered by the intrusion of a seductive interloper.   As the poem unfurls, the narrator's recollections are suffused with a sense of bittersweet nostalgia, tinged with the poignant ache of longing and regret. Amidst the photographs adorning the hall and the jubilant echoes of football games in the park, there lies an undercurrent of melancholy, as the spectre of betrayal looms large on the horizon.   The enigmatic figure, with his crimson carnation and beguiling allure, emerges as a central figure in the narrative, casting a shadow over the narrator's once-cherished illusions of happiness. During laughter and celebration, his presence serves as a stark reminder of the fragility of love and the capriciousness of fate.   It is through the lens of retrospective reflection that the true impact of the protagonist's actions is revealed, as the narrator grapples with the searing pain of abandonment and betrayal. The once-rosy hues of domestic bliss are now tinged with the sombre shades of disillusionment, as he confronts the harsh reality of shattered dreams and fractured trust.   In "Melancholy Poems: A Hero of Our Times," the poet invites readers to bear witness to the poignant unravelling of a once-cherished romance, as love gives way to heartache and longing. Through the evocative imagery of memory and loss, they illuminate the complexities of human emotion, offering a poignant testament to the enduring power of melancholy in the tapestry of human experience.

A Body in a Mortuary | Getty Images Night falls on London Town. Hustlers, dancers, and musicians and all who know the seedier side of city life begin to drift to work.   Men steal greedy glances at teenage girls in low-cut dresses and hungry youngsters full of lust head for Soho to the bars and clubs. New lovers meet, old lovers kiss and the smell of sex is hanging in the air.   Home-sick fragile girls —most almost children— begin once more their life of shame.   Bewildered and afraid they lean in darkened doorways ready to sell their battered bodies on seedy beds in dingy basements.   Homeless wrecks, gather at Waterloo to spend their night in cardboard boxes. Their stories never told—from a baby girl or baby boy to a drunken mess, with nothing in their wretched lives but a flask of meths.   Three in the morning.   John O'Kelly in an alcoholic stupor tries in vain to forget Veronica. She had said she would stay forever but as she was promising undying love she was opening their door to leave.   All is quiet at this hour except for the sound of those hurting and of all who lost all hope and of the sound of Johnny's body floating silently down the river. A few words about the poem… Poems of Despair: An Analysis of “The Ballad of John O’Kelly”   "The Ballad of John O’Kelly" is a striking example of poems of despair and loneliness, delving deep into the bleak realities of life on the margins of society. Through its vivid portrayal of London's nocturnal world, the poem captures the profound isolation and sorrow experienced by its characters, reflecting a broader commentary on the human condition.   The poem begins with the descent of night over London, signalling the emergence of those who navigate the city's underbelly. The initial verses paint a picture of a world where desperation and longing are ever-present, with men casting "greedy glances" and "hungry youngsters" seeking momentary satisfaction in the hedonistic spaces of Soho. This setting serves as a backdrop for the exploration of despair and loneliness that characterises the lives of the poem's subjects.   Central to the poem's theme are the "home-sick fragile girls," whose presence underscores the vulnerability of youth drawn into cycles of exploitation. Described as "almost children," these girls embody a tragic innocence lost, forced into "a life of shame" that perpetuates their isolation. Their bewilderment and fear, as they "lean in darkened doorways," highlight the emotional desolation that defines their existence. These images resonate with the theme of despair that runs through the poem, marking it as a poignant addition to the tradition of poems of despair and loneliness.   The poem’s focus then shifts to the homeless, gathering at Waterloo station. The image of "homeless wrecks" spending the night in "cardboard boxes" is a powerful commentary on the alienation faced by society’s most disenfranchised. Their "stories never told" emphasise the invisibility of these individuals, whose lives have been reduced to "a flask of meths." This portrayal serves as a critique of a society that neglects its most vulnerable, leaving them in a state of perpetual despair and loneliness.   John O’Kelly, the poem's titular character, is introduced in the final stanzas, epitomising the personal toll of loneliness. His attempt to "forget Veronica" in an "alcoholic stupor" reflects the depth of his despair, as he grapples with the emotional void left by her departure. The image of his "body floating silently down the river" at the poem’s close is a stark representation of the ultimate surrender to hopelessness. This quiet demise, unnoticed by the world, encapsulates the profound isolation that can accompany such despair.   "The Ballad of John O’Kelly" offers a sombre reflection on the themes of despair and loneliness, positioning itself within a tradition of poems that explore the darker aspects of the human experience. Through its stark imagery and unflinching portrayal of life on the margins, the poem invites readers to confront the realities faced by those who live in the shadows of society. In doing so, it contributes to a broader discourse on the emotional and psychological impacts of loneliness and despair, making it a compelling example of poems of despair and loneliness.   This poem is dedicated to my dear friend John O’Kelly, may he rest in peace.

Pirates Gambling for Maidens I. An icy North Wind sailing on green and purple seas whips and mauls the land. The frozen peaks of the Anatolian Mountains tower in the distance and the Moor is howling in the Devil's Sea. Brave warriors of five and six shelter in hushed classrooms until the battered day is done. When the school bell rings muddy boots and ties undone pour silently into lanes and streets. St Michael with a gleaming sword stands on the spire of his church so high his head is resting at the feet of God. The graveyard with its crumbling steps and the whispers of the lipless dead is surely the gate to the World of Nether. Shades linger in its darkness searching for a child's body and a demijohn of blood. I fall into my grandpa's arms, he bolts the door against the anger of the wind and banishes the whispers of the skulls. II. Late at night sitting on his knee by the fireside I listen to him spin the yarn of the Pirates and the Moor: Once so long ago on a darksome night ships came draped in black with blacker flags of bones and skulls. Blood dripping scimitars and demons poured from their bowels of hell folk locked their doors prayed to the Lord for mercy and prepared to die. In the storm-tossed night, I hear howls and screams I see shadows fighting on the walls and the room is filled with the pungent smell of burning flesh. Craving virgin flesh the fearsome Moor has come to rape and pillage. Men and women lie in pools of blood and girls and boys are dragged wailing to open fields and darkened barns. Brimstone and fire and avenging angels pour down from the burning skies. In a flash of white fury our Guardian Angel brings down his scythe onto the Arab's neck and hurls his writhing body far into the Devil's Sea. III. A pale sun rises in the morning sky. Ploughmen are out in the fields once more and shepherds are climbing up to the hills again. Fishermen sit by the quay chewing tobacco, they smoke roll-ups and tell stories of the ones who drowned and of the perils of the sea. The voices of the dead are silent. The Anatolian Mountains have melted in the distance and the Moor whimpers once again in the Devil's Sea. A few words about the poem… Winter Tales from the Cyprus Poems: A Journey Through Memory, Myth, and the Power of Storytelling   The coming-of-age poem "Winter Tales," part of the collection Cyprus Poems, is a haunting meditation on childhood, family, and the enduring magic of storytelling. Its layered narrative intertwines the innocence of youthful imagination with the gravity of ancestral myths, creating a tapestry of reflection, nostalgia, and cultural inheritance. Through its vivid imagery, emotive language, and compelling interplay between past and present, the poem reveals its themes of wonder, fear, and resilience in the face of the unknown.   The structure of "Winter Tales" is divided into three distinct movements, each representing a progression in mood and meaning. The first establishes a stark, wintry setting that mirrors the inner tension of the narrator's young self, a boy grappling with the interplay of fascination and fear. The second movement invites readers into the fantastical realm of storytelling, where the voice of the boy’s grandfather spins a tale of pirates, Moorish invaders, and divine retribution. The third movement returns to a quiet, reflective dawn, where the echoes of the night’s tales linger softly but persistently, shaping the narrator’s understanding of the world.   The Wintry Setting and the Inner World of the Child   The opening lines of the poem evoke the chilling landscape of Yialousa, Cyprus in winter, where the "icy North Wind sailing / on green and purple seas" assaults the land. These descriptions do more than paint a seasonal backdrop; they establish a world of contrasts, where the beauty of the natural world collides with its inherent violence. The imagery of the Anatolian Mountains, "frozen peaks towering in the distance," creates a physical and symbolic horizon—unreachable, mysterious, and filled with both allure and foreboding.   For the young narrator, the winter represents more than just weather. The land’s barrenness and the wind’s rage mirror the uncertainties of childhood, a time when the imagination is at its most fertile and the boundaries between reality and fantasy blur. In this world, St Michael, his sword gleaming, becomes a distant protector, a figure who bridges the divine and the earthly. The graveyard’s crumbling steps and the "whispers of the lipless dead" contrast sharply with this celestial guardian, adding a layer of macabre fascination that fuels the boy’s vivid inner life.   Storytelling as a Shield and Portal   As the wind’s fury drives the narrator into his grandfather’s arms, the poem transitions from the outer landscape to the intimate space of hearth and home. This shift marks the beginning of the second movement, where the act of storytelling assumes centre stage. The grandfather’s voice, rendered in evocative detail, brings to life tales of pirate ships, blood-drenched scimitars, and the dreaded Moor who preys upon the innocent.   The grandfather’s tale operates on multiple levels. For the boy, it is an escape, a way to make sense of the primal fears stirred by the storm and the eerie whispers outside. The story’s vividness, from "ships draped in black / with blacker flags of bones and skulls" to the "smell of burning flesh," transforms the boy’s immediate surroundings into a theatre of the imagination. Shadows on the walls become combatants; the howling wind becomes the cries of marauders.   At the same time, the tale serves as a bridge between generations, linking the boy to his ancestors' struggles and triumphs. Through the grandfather’s words, the boy encounters a version of history where good triumphs over evil, where "avenging angels pour down / from the burning skies," and where the "Guardian Angel" wields a scythe to banish the Moor’s darkness. Yet, even as the tale offers comfort, its underlying violence and tension resonate with the complexities of human existence, hinting at the fragile balance between innocence and experience.   A Quiet Dawn: The Aftermath of Tales   The poem’s third movement shifts to the calm after the storm. The rising sun illuminates a world renewed yet unchanged, where life resumes its rhythms as ploughmen and shepherds return to their tasks. The imagery of fishermen chewing tobacco and telling tales of their own underscores the continuity of storytelling as a human tradition.   Yet, the final lines carry a subtle ambivalence. The voices of the dead have quieted, and the Anatolian Mountains have "melted in the distance," but the Moor’s whimpering in the Devil’s Sea lingers. This unresolved note reminds readers that the fears and wonders of childhood do not entirely fade; they become part of the fabric of identity, shaping how we perceive the world and navigate its uncertainties.   Themes of Memory, Myth, and Protection   At its heart, "Winter Tales" explores the interplay between memory and myth. The boy’s recollection of his grandfather’s stories becomes a lens through which he understands his place in the world. The poem also examines the protective power of storytelling. The grandfather’s narratives shield the boy from the immediate terrors of the storm, yet they also expose him to the darker truths of life—violence, mortality, and the eternal struggle between good and evil.   The poem’s structure mirrors the journey of a child navigating the thresholds of understanding. From the fear-laden landscape of the opening lines to the imagined heroics of the middle section and the quiet reflection of the closing stanza, "Winter Tales" encapsulates the essence of coming-of-age, where innocence is tempered by knowledge, and wonder persists despite the shadows it reveals.   Analysis of the Themes in the Poem   The primary theme of "Winter Tales" is the transformative power of storytelling, particularly as a means of navigating childhood’s fears and fascinations. Through the act of storytelling, the grandfather provides not only entertainment but also a moral framework for understanding the world.   The poem also delves into the theme of generational connection. The grandfather’s tales are a cultural inheritance, linking the boy to a shared history of struggle, resilience, and moral clarity. This intergenerational bond highlights the role of family in shaping identity and imparting wisdom.   Finally, the theme of coming-of-age is central to the poem. The narrator’s journey from fear to fascination to reflection mirrors the broader human experience of growth and self-discovery.   Analysis of the Verse   "Winter Tales" employs a free-verse structure that mirrors the fluidity of memory and imagination. The poem’s three-part division creates a sense of progression, with each section offering a distinct mood and narrative focus.   The language is vivid yet accessible, capturing the immediacy of the boy’s experiences while allowing space for the reader’s interpretation. The use of repetition, particularly in the grandfather’s dialogue, reinforces the oral tradition of storytelling and its rhythmic, almost hypnotic quality.   Analysis of the Symbolism   The poem’s symbolism is rich and multifaceted. The icy North Wind and the Anatolian Mountains represent both external challenges and internal fears, while the graveyard and its lipless dead serve as metaphors for mortality and the unknown.   The Moor, a figure of menace and desire, embodies the external threats faced by the community, as well as the internal struggles of the human psyche. The Guardian Angel’s intervention symbolises the enduring hope for divine protection and moral justice.   Main Poetic Imagery   The imagery in "Winter Tales" is striking and evocative. From the "icy North Wind sailing / on green and purple seas" to the "smell of burning flesh," the poem engages all the senses, creating a vivid, immersive experience. The contrast between the beauty of the natural world and the violence of the grandfather’s tales underscores the dualities of life—safety and danger, innocence and experience, memory and myth.   Religious Symbolism Impact   Religious symbolism plays a subtle yet significant role in "Winter Tales." St Michael, with his gleaming sword, represents divine protection, while the Guardian Angel’s intervention in the grandfather’s tale underscores the moral and spiritual dimensions of the narrative.   The Moor’s depiction as a demonic figure reflects the community’s historical and cultural fears, while the "whispers of the lipless dead" evoke notions of purgatory and the eternal struggle between good and evil. Through these elements, the poem invites readers to reflect on the interplay of faith, fear, and resilience in shaping human experience.   "Winter Tales," with its rich imagery, layered narrative, and universal themes, stands as a testament to the enduring power of storytelling. As part of the collection "Cyprus Poems," it contributes to the broader tapestry of Cyprus Poetry, celebrating the intersections of memory, myth, and cultural heritage. This coming-of-age poem invites readers to revisit their own childhood wonder, while reminding them of the timeless narratives that connect us all.

The Breakup of a Relationship - Photo by Eric Ward I remember your pain when your lover left and your joy when another came to stay. He was famous, a hero and a legend with a crown of laurels on his head. He filled your world with brave dreams and dazzled you with his light.   A giant who towered above the rest. I get it now; I couldn't ever have competed with such a hero for I was just a mortal man. You were blinded by his brilliant light. All your past and present sorrows were gone soothed away by a slight movement of his hand. But soon he too began to lose his crown. As he held you in his arms and sighed you could not see that far and distant look that was rising so fast in his weary eyes. Part of the   Old Stories   cycle of poems A few words about the poem… Exploring Transient Joy and Enduring Sorrow | Melancholy Poems   "The Hero," from the series “Melancholy Poems,” is a poignant exploration of human emotions, particularly the contrast between the ephemeral joys brought by external heroes and the enduring pain of personal loss. The speaker reminisces the arrival of a heroic figure, adorned with laurels. This hero symbolizes not only the fleeting happiness he brings to the narrator’s lover but also the overwhelming presence he casts upon the speaker's world.   The poem vividly portrays the hero's impact on the speaker and his beloved, emphasizing the transformative power he wields. The imagery of "brave new dreams" and being "dazzled by his light" conveys the enchantment and awe inspired by this figure. The hero is elevated to a godlike status, towering above mortals and seemingly capable of banishing all sorrows with a mere gesture.   However, beneath this glorious facade lies a poignant truth—the hero, despite his grandeur, is ultimately mortal. As the poem unfolds, the hero's inevitable decline becomes evident, mirroring the transient nature of human relationships. The speaker reflects on his inability to compete with such a figure, recognizing his mortality in contrast to the hero's seemingly eternal presence.   The poem concludes with a sombre revelation as the hero begins to lose his lustre. Despite the comforting embrace shared with the beloved, there is a subtle hint of disillusionment in the hero's eyes, suggesting a realization of his limitations. This moment of vulnerability is a stark reminder of the fragility inherent in all forms of heroism and the transient nature of worldly triumphs.   Overall, "The Hero" offers a nuanced exploration of love, loss, and the allure of heroism. Through its evocative imagery and poignant narrative, the poem invites readers to contemplate the complexities of human relationships and the fleeting nature of external sources of happiness.

Passionate Embrace: Evoking Erotic Poetry I live inside her twisted mind. There was no choice. She left the door ajar and casually asked me to come in— youth can be so careless these days. At night, listening to the lullabies of a lovelorn owl, we watch the moonrise in the waters of the river past her door. First-time riffs, trip on the wings of ravens counting the banjos in the Poplar Valley. I consume her thoughts relentlessly. In vain, she shrieks and curses me to leave her but we both know I’m an obsessive songsmith with an agenda: I want to tune that off-key flute she’s been hiding inside her bedroom since the day she turned sixteen—she knows I’m her only lover, and I will not abide by her kind of angry music. Part of the   mosaics   cycle of poems A few words about the poem…   The Obsessive Songsmith | A Toxic Love Poem  In the surreal poem "I Will Always be her Lover," from the series Toxic Love, the narrator delves into the intricacies of a relationship existing within the realms of a twisted mind. The portrayal of the narrator's presence within the subject's consciousness is marked by a certain inevitability, a consequence of the door left ajar and a casual invitation that reflects the carelessness of youth.   The nocturnal setting, accompanied by the melancholic serenade of a lovelorn owl and the observation of the moonrise over the river, adds a layer of atmospheric depth to the narrative. The introduction of first-time riffs and the imagery of ravens counting banjos in the Poplar Valley evoke a sense of surrealism, contributing to the overall dreamlike quality of the poem.   The narrator's relentless consumption of the subject's thoughts, highlights a certain possessiveness that goes beyond mere infatuation and despite the subject's futile attempts to repel his presence, the narrator sees himself as an obsessive songsmith with a distinct agenda. The agenda however is only revealed as a metaphor in the next stanza leaving the reader to bring his own fantasies to the tale.   The central motif revolves around the desire to tune the off-key flute concealed within the subject's bedroom since her sixteenth year. This metaphorical instrument may represent a part of her identity or emotions that have been hidden or suppressed. The narrator asserts himself as her exclusive lover, unwilling to tolerate the discordant notes of her "angry music."

An Embrace in Societal Reflections The poets gather at the well of broken stanzas to mourn for all the rhymes stolen by men in white suits and loaded guns. They stare at the salt lakes on the moon and hanker for the days when poems were made from dust and water. These days their kaleidoscope songs are shattered at the foot of the godless mountain and all the birds died of hunger. Dead fishes float down the Mississippi to a talent show in St. Louis and the blues in New Orleans laments the ones who lost the music. Without shame, my bride with green passions in her eyes and moist smiles on her breasts, lies naked with impious poets on the forest floor. 'Bad poets' decrees their Sultan of Seville. The hooded men in white suits and all the sunburnt alligators are enraged their lurid prayers fixed on my bride's smile. She is the patron saint of decadence my true goddess of divine depravity— the perfect bride for my soul of darkness. Part of the mosaics cycle of poems A few words about the poem… Navigating Societal Reflections in “The Poet's Lament” | Erotica   Within the expansive tapestry of the Mosaics Series, a new poetic offering delicately unfolds, titled 'The Poet's Lament.' This erotica poem, adorned in surreal hues, invites readers to embark on a nuanced journey through the intricate threads woven into societal reflections.   The verses of this poem act as mirrors, capturing oblique references to the broader state of society, with a particular focus on the intricate landscape of the United States. The poets, a collective voice at the well of broken stanzas, express a poignant lament for the theft of rhymes by men in white suits armed with loaded guns. These stolen verses, once crafted from the humble elements of dust and water, are mourned as the poets gaze introspectively at the salt lakes on the moon.   The kaleidoscope songs, once vibrant and harmonious, now lay shattered at the foot of the godless mountain. The imagery extends to a poignant portrayal of avian demise, where hunger claims the lives of all the birds, leaving behind a haunting silence. In this surreal world, even the mighty Mississippi River bears witness to the descent of lifeless fishes, making their way to an unusual talent show in St. Louis, serving as a stark metaphor for the commodification of creativity.   The blues in New Orleans takes up the mantle of lamentation, mourning not only the loss of music but also the void left by those who once passionately created it. The narrative then gracefully shifts to a symbolic scene where a bride, adorned with green passions in her eyes, lies exposed on the forest floor with impious poets. This decadent imagery, though cryptic, adds yet another layer to the societal critique embedded in the verses, inviting readers to interpret the symbiotic relationship between decadence and poetic expression.   The Sultan of Seville issues a decree, branding the poets as 'bad poets.' Hooded figures in white suits, alongside sunburnt alligators, become the embodiment of rage, fixated on the smile of the bride who symbolizes decadence. This echoes a certain authoritative figure, known for his distinctive pout, with supporters sharing a common disposition. The connection to such a figure adds another layer to the societal critique embedded in the verses, inviting readers to subtly ponder the interplay between power, symbolism, and societal norms.   This complex interplay of symbols and allegories unfolds with the finesse characteristic of the poet's descriptive and slightly evocative style. The authoritative and informative voice of the verses provides an objective overview of the societal critique embedded within the lines. The absence of imperative verbs or sentences allows the poem to resonate as a reflective and contemplative piece rather than a directive one.   In conclusion, 'The Poet's Lament' stands as a profound addition to the Mosaics Series. Its surreal verses offer a unique lens through which societal reflections are refracted, inviting readers to unravel the layers of meaning woven into the poetic fabric. As the poets mourn stolen rhymes, shattered songs, and the demise of music, each piece contributes to a larger commentary on the nuanced state of society, creating a mosaic of poetic expression that beckons for contemplation.

Love and Loss - Painting by Maniakuk I'll always love you Sappho, my love of yesteryear. A graceless child you thought me but took my hand and loved me with a kind of love that burned. Each night, you took a little more of me and each night, I gave you more without thinking. You brushed my hair you kissed my lips you dressed me in lace and silk then took me to your bed. Like a butterfly, I fluttered. I shivered when you touched me and gasped for air; I could not breathe and begged for your mouth on my skin. I loved you Sappho a love so joyous, a love without guilt. I was drunk with your light. Now another has come into my life. A tender child of eighteen and in her love I find my youth again. I brush her hair I kiss her lips I dressed her in lace and silk then take her to our bed. She touches me and I die for her I hold her and she cries for me and everything is fresh and new. Read A Short Biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho A few words about the poem… The Power of Love and the Pain of Loss - A Tribute to Sappho Sappho, the ancient Greek poetess is renowned for her passionate and lyrical poetry that explored themes of love and loss. One of her most famous works is the “Ode to Atthis” a love poem describing her relationship with her young pupil. Sappho's portrayal of her at the beginning of their relationship has been the subject of much debate and scholarly analysis.   The coming-of-age tribute to Sappho is an imagined view of the blossoming of the romantic affair between the two lovers and it serves as a testament to the enduring power of love and the pain of loss. Even though Atthis is often maligned for abandoning Sappho, the poem attempts to give her a voice to explain the breakdown of their relationship from her point of view. It is a poignant reminder of the complexities of love and the challenges that come with it.   The poem is divided into two parts. Atthis, describes her relationship with Sappho and reminisces about their intense love. Sappho's dominance appears to have been so strong that Atthis had to walk away to find someone else who would provide her with an equal partnership. The poem serves as a comment about relationships, where one partner's power and control can drive the other away, capturing the intensity of such love and the powerful emotions it evokes.

Sebastiano Ricci - Bacchanal in Honour of Pan Damn propriety, I want you in my bed tonight.   Take off your long black skirt, unbutton your pristine blouse and I shall crawl inside you like a beast possessed.   My beauty queen, come with me and come with me, let's soar up to the purple sky.   Oh me, oh my, oh my! where did you learn all that? Where is that shy butterfly I loved once so much.   Look at that crack in the water. It's the gateway to the monsters at the bottom of the sea— an open door to a giant dance hall.   The deviant God and all his servants —some beautiful but all deformed— all are dressed in see-through flimsy gowns. They drink wine that's sour and sway to the beat of a disfigured tango.   They shed their skins— beasts, chimaera, and serpents. Hissing, they jeer and chase us.   Honey clouds and blue skies, rampant seas and wanton shorelines, all embrace in an orgy of love.   In a trance, we leap into the abyss riding on the wings of lemmings— only you and I know the truth: one day a lemming is going to fly.   Free at last, we press beyond the edge. We join a massive love-in, morality is forbidden and probity is scorned. Part of the   mosaics   cycle of poems A few words about the poem… A Mythical Dance of Liberation in a Poetic Universe In the enchanting tapestry of the erotica poem, "Riding on the Wings of Lemmings," a narrative unfolds that delves into the realms of liberation, rebellion, and eroticism. This essay embarks on an exploration of the mythological underpinnings within the poem, with a particular focus on the ancient Greek deities Pan and the satyrs. The protagonists, emblematic of youthful rebellion, navigate a world where desire and freedom intertwine with the mythical, creating a nuanced narrative that resonates across time.   Within the verses of the poem, a dance of liberation ensues, echoing both contemporary rebellion and the timeless struggles of mythological beings. The protagonists, portrayed as daring youths, embark on a journey that mirrors the complexities of human nature.   To unravel the depths of the narrative, a journey into the realms of Ancient Greek mythology becomes paramount, where gods and mythical beings serve as reflections of the multifaceted facets of existence.   Pan: The Dual Nature of Desire   At the heart of the poem stands Pan, the mischievous god of nature and fertility. His presence introduces an elemental force that defies societal norms, embodying the untamed desires that propel the narrative forward. The exploration of Pan's dual nature, encompassing both beauty and grotesquery, becomes a lens through which the protagonists' journey gains profound meaning.   Pan, with his goat-like features and wild demeanour, symbolizes the uninhibited forces of nature. In the poem, the protagonists are beckoned to embrace their primal instincts, mirroring Pan's untamed spirit. This narrative delves into the symbolism embedded in Pan's character, dissecting how his mythological presence enriches the tale, offering a mythic resonance to the themes of liberation and desire.   The Satyrs: Revelry and Sensual Pursuits   Accompanying Pan are the satyrs, mythical beings renowned for their revelry and sensual pursuits. These companions add a layer of complexity to the poem, representing the uninhibited pursuit of pleasure. The essay unravels the symbolism of the satyrs, exploring how they become metaphors for breaking free from societal constraints and embracing the primal instincts within.   In Greek mythology, satyrs are often depicted as half-human, half-horse beings, emphasizing the fusion of the wild and the civilized. Their hybrid nature draws parallels between their existence and the dualities faced by the protagonists in the poem. The exploration of the satyrs becomes a key element in understanding how the mythological realm intersects with the narrative of liberation.   Symbolism of Attire: Purity versus Desire   The second stanza of the poem introduces the symbolism of attire, with the female protagonist adorned in a white blouse and a long black skirt. This attire becomes respectively a battleground where purity clashes with the darker side of desire.   In Greek mythology, clothing often carries symbolic weight, representing not just the physical but also the metaphysical aspects of a character. The white blouse and the black skirt worn by the female, symbols of purity and the pursuit of gratification respectively, become a canvas upon which the battle between societal expectations and primal desires is painted.   The Deviant God: Celestial Dance of Deformity   As the poem unfolds, Pan, the deviant God, and his deformed servants enter the narrative, introducing explicit imagery of an orgy and a chase. This celestial dance serves as a metaphor for the pursuit of forbidden desires. The inclusion enhances the depth of the narrative, turning a seemingly chaotic scene into a mythic dance of liberation. The deformed servants, representing the darker aspects of human existence, engage in a chase, symbolizing the relentless pursuit of pleasure and the broader themes of liberation and rebellion.   Erotica in Ancient Greece: Unveiling Taboos   To fully grasp the nuances of the poem’s exploration of eroticism, a contextual understanding of sexuality in Ancient Greece and its liberal attitudes towards sex is necessary.   In Greek society, the pursuit of pleasure was considered a natural and integral aspect of life. The ancient Greeks celebrated the human body and the pleasures of the flesh, viewing sexual desire as a natural and divine force. The deliberate choice of explicit imagery in the poem aligns with the Greek appreciation for the sensual aspects of existence. By drawing parallels between the attitudes towards erotica in Ancient Greece and the modern narrative, the poem attempts to make a timeless exploration of human desire.   The Wings of Lemmings: A Surreal Liberation   The seemingly absurd image of riding on the wings of lemmings gains profound meaning when examined through the lens of Greek mythology. The symbolism of lemmings, traditionally associated with blind conformity and self-destruction, is reinterpreted as a metaphor for unconventional paths leading to newfound freedom.   Conclusion   I n conclusion, the poem transcends the boundaries of contemporary storytelling by weaving a narrative rich in mythological symbolism. The exploration of Pan, the satyrs, and the celestial dance of deformity adds layers of meaning to the themes of liberation, rebellion, and eroticism. The deliberate use of explicit imagery and the inclusion of ancient Greek elements create a tapestry of storytelling that resonates across time, inviting readers to contemplate the eternal struggle against societal norms.

Intimacy Sweet Cyprian Goddess! A wise fool, yet I did not see when lust was turning into love. Anactoria has grown cold now. There is a new hero in her life, a warrior who plunders her each day; an Amazon with a crown of laurels. I smell her scent in our room; I see teeth marks on her skin; I feel raw scratches on her spine. She tortures me and I die. Her tears and oaths do not fool me anymore. How fragile Anactoria looks on our bed tonight. How slender seems her neck. Immortal Cyprian Goddess! Please save me from this rage, I'm drowning in a sea of green. Read A short biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho A few words about the poem… Sappho Mourns the Loss of Anactoria – A Tribute to Sappho   This poetic tribute to Sappho is an imagined monologue by the ancient poetess expressing her feelings of betrayal and heartbreak after being abandoned by her lover Anactoria.   Sappho and Anactoria were both women who lived on the island of Lesbos in the 6th century BC. Whilst there is no direct historical evidence that the two women were lovers, Sappho's poetry contains many references to female same-sex relationships.   Sappho was known for her lyric poetry, which was often about love and desire. She wrote in a highly emotional and personal style, expressing her feelings and experiences in her poetry. Her work was highly respected in ancient Greece and beyond, and she was often referred to as the "tenth muse."   In this imagined poetic monologue, Sappho is expressing her heartbreak after being abandoned by Anactoria for a new lover, a warrior with a crown of laurels. Sappho is tormented by the memory of their physical intimacy, as evidenced by the scent of Anactoria in their room. Teeth marks on Anactoria’s skin and scratches on her spine torture Sappho who feels helpless and unable to resist her feelings for Anactoria even as she knows she is no longer interested in her.   The poem ends with Sappho calling on the Cyprian Goddess, a reference to Aphrodite, the Greek goddess of love and beauty, to save her from the consequences of her rage and from the "sea of green" that represents her jealousy and envy.

Painting of a Depressed Woman Parnassus was the prize. She breezed, I struggled. Soon I will be so very old and now Atthis loves another. "Go to her," I said and still I hoped; but she stays silent. Read A short biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho