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An Embrace in Societal Reflections The poets gather at the well of broken stanzas to mourn for all the rhymes stolen by men in white suits and loaded guns. They stare at the salt lakes on the moon and hanker for the days when poems were made from dust and water. These days their kaleidoscope songs are shattered at the foot of the godless mountain and all the birds died of hunger. Dead fishes float down the Mississippi to a talent show in St. Louis and the blues in New Orleans laments the ones who lost the music. Without shame, my bride with green passions in her eyes and moist smiles on her breasts, lies naked with impious poets on the forest floor. 'Bad poets' decrees their Sultan of Seville. The hooded men in white suits and all the sunburnt alligators are enraged their lurid prayers fixed on my bride's smile. She is the patron saint of decadence my true goddess of divine depravity— the perfect bride for my soul of darkness. Part of the mosaics cycle of poems A few words about the poem… Navigating Societal Reflections in “The Poet's Lament” | Erotica   Within the expansive tapestry of the Mosaics Series, a new poetic offering delicately unfolds, titled 'The Poet's Lament.' This erotica poem, adorned in surreal hues, invites readers to embark on a nuanced journey through the intricate threads woven into societal reflections.   The verses of this poem act as mirrors, capturing oblique references to the broader state of society, with a particular focus on the intricate landscape of the United States. The poets, a collective voice at the well of broken stanzas, express a poignant lament for the theft of rhymes by men in white suits armed with loaded guns. These stolen verses, once crafted from the humble elements of dust and water, are mourned as the poets gaze introspectively at the salt lakes on the moon.   The kaleidoscope songs, once vibrant and harmonious, now lay shattered at the foot of the godless mountain. The imagery extends to a poignant portrayal of avian demise, where hunger claims the lives of all the birds, leaving behind a haunting silence. In this surreal world, even the mighty Mississippi River bears witness to the descent of lifeless fishes, making their way to an unusual talent show in St. Louis, serving as a stark metaphor for the commodification of creativity.   The blues in New Orleans takes up the mantle of lamentation, mourning not only the loss of music but also the void left by those who once passionately created it. The narrative then gracefully shifts to a symbolic scene where a bride, adorned with green passions in her eyes, lies exposed on the forest floor with impious poets. This decadent imagery, though cryptic, adds yet another layer to the societal critique embedded in the verses, inviting readers to interpret the symbiotic relationship between decadence and poetic expression.   The Sultan of Seville issues a decree, branding the poets as 'bad poets.' Hooded figures in white suits, alongside sunburnt alligators, become the embodiment of rage, fixated on the smile of the bride who symbolizes decadence. This echoes a certain authoritative figure, known for his distinctive pout, with supporters sharing a common disposition. The connection to such a figure adds another layer to the societal critique embedded in the verses, inviting readers to subtly ponder the interplay between power, symbolism, and societal norms.   This complex interplay of symbols and allegories unfolds with the finesse characteristic of the poet's descriptive and slightly evocative style. The authoritative and informative voice of the verses provides an objective overview of the societal critique embedded within the lines. The absence of imperative verbs or sentences allows the poem to resonate as a reflective and contemplative piece rather than a directive one.   In conclusion, 'The Poet's Lament' stands as a profound addition to the Mosaics Series. Its surreal verses offer a unique lens through which societal reflections are refracted, inviting readers to unravel the layers of meaning woven into the poetic fabric. As the poets mourn stolen rhymes, shattered songs, and the demise of music, each piece contributes to a larger commentary on the nuanced state of society, creating a mosaic of poetic expression that beckons for contemplation.

Love and Loss - Painting by Maniakuk I'll always love you Sappho, my love of yesteryear. A graceless child you thought me but took my hand and loved me with a kind of love that burned. Each night, you took a little more of me and each night, I gave you more without thinking. You brushed my hair you kissed my lips you dressed me in lace and silk then took me to your bed. Like a butterfly, I fluttered. I shivered when you touched me and gasped for air; I could not breathe and begged for your mouth on my skin. I loved you Sappho a love so joyous, a love without guilt. I was drunk with your light. Now another has come into my life. A tender child of eighteen and in her love I find my youth again. I brush her hair I kiss her lips I dressed her in lace and silk then take her to our bed. She touches me and I die for her I hold her and she cries for me and everything is fresh and new. Read A Short Biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho A few words about the poem… The Power of Love and the Pain of Loss - A Tribute to Sappho Sappho, the ancient Greek poetess is renowned for her passionate and lyrical poetry that explored themes of love and loss. One of her most famous works is the “Ode to Atthis” a love poem describing her relationship with her young pupil. Sappho's portrayal of her at the beginning of their relationship has been the subject of much debate and scholarly analysis.   The coming-of-age tribute to Sappho is an imagined view of the blossoming of the romantic affair between the two lovers and it serves as a testament to the enduring power of love and the pain of loss. Even though Atthis is often maligned for abandoning Sappho, the poem attempts to give her a voice to explain the breakdown of their relationship from her point of view. It is a poignant reminder of the complexities of love and the challenges that come with it.   The poem is divided into two parts. Atthis, describes her relationship with Sappho and reminisces about their intense love. Sappho's dominance appears to have been so strong that Atthis had to walk away to find someone else who would provide her with an equal partnership. The poem serves as a comment about relationships, where one partner's power and control can drive the other away, capturing the intensity of such love and the powerful emotions it evokes.

Sebastiano Ricci - Bacchanal in Honour of Pan Damn propriety, I want you in my bed tonight.   Take off your long black skirt, unbutton your pristine blouse and I shall crawl inside you like a beast possessed.   My beauty queen, come with me and come with me, let's soar up to the purple sky.   Oh me, oh my, oh my! where did you learn all that? Where is that shy butterfly I loved once so much.   Look at that crack in the water. It's the gateway to the monsters at the bottom of the sea— an open door to a giant dance hall.   The deviant God and all his servants —some beautiful but all deformed— all are dressed in see-through flimsy gowns. They drink wine that's sour and sway to the beat of a disfigured tango.   They shed their skins— beasts, chimaera, and serpents. Hissing, they jeer and chase us.   Honey clouds and blue skies, rampant seas and wanton shorelines, all embrace in an orgy of love.   In a trance, we leap into the abyss riding on the wings of lemmings— only you and I know the truth: one day a lemming is going to fly.   Free at last, we press beyond the edge. We join a massive love-in, morality is forbidden and probity is scorned. Part of the   mosaics   cycle of poems A few words about the poem… A Mythical Dance of Liberation in a Poetic Universe In the enchanting tapestry of the erotica poem, "Riding on the Wings of Lemmings," a narrative unfolds that delves into the realms of liberation, rebellion, and eroticism. This essay embarks on an exploration of the mythological underpinnings within the poem, with a particular focus on the ancient Greek deities Pan and the satyrs. The protagonists, emblematic of youthful rebellion, navigate a world where desire and freedom intertwine with the mythical, creating a nuanced narrative that resonates across time.   Within the verses of the poem, a dance of liberation ensues, echoing both contemporary rebellion and the timeless struggles of mythological beings. The protagonists, portrayed as daring youths, embark on a journey that mirrors the complexities of human nature.   To unravel the depths of the narrative, a journey into the realms of Ancient Greek mythology becomes paramount, where gods and mythical beings serve as reflections of the multifaceted facets of existence.   Pan: The Dual Nature of Desire   At the heart of the poem stands Pan, the mischievous god of nature and fertility. His presence introduces an elemental force that defies societal norms, embodying the untamed desires that propel the narrative forward. The exploration of Pan's dual nature, encompassing both beauty and grotesquery, becomes a lens through which the protagonists' journey gains profound meaning.   Pan, with his goat-like features and wild demeanour, symbolizes the uninhibited forces of nature. In the poem, the protagonists are beckoned to embrace their primal instincts, mirroring Pan's untamed spirit. This narrative delves into the symbolism embedded in Pan's character, dissecting how his mythological presence enriches the tale, offering a mythic resonance to the themes of liberation and desire.   The Satyrs: Revelry and Sensual Pursuits   Accompanying Pan are the satyrs, mythical beings renowned for their revelry and sensual pursuits. These companions add a layer of complexity to the poem, representing the uninhibited pursuit of pleasure. The essay unravels the symbolism of the satyrs, exploring how they become metaphors for breaking free from societal constraints and embracing the primal instincts within.   In Greek mythology, satyrs are often depicted as half-human, half-horse beings, emphasizing the fusion of the wild and the civilized. Their hybrid nature draws parallels between their existence and the dualities faced by the protagonists in the poem. The exploration of the satyrs becomes a key element in understanding how the mythological realm intersects with the narrative of liberation.   Symbolism of Attire: Purity versus Desire   The second stanza of the poem introduces the symbolism of attire, with the female protagonist adorned in a white blouse and a long black skirt. This attire becomes respectively a battleground where purity clashes with the darker side of desire.   In Greek mythology, clothing often carries symbolic weight, representing not just the physical but also the metaphysical aspects of a character. The white blouse and the black skirt worn by the female, symbols of purity and the pursuit of gratification respectively, become a canvas upon which the battle between societal expectations and primal desires is painted.   The Deviant God: Celestial Dance of Deformity   As the poem unfolds, Pan, the deviant God, and his deformed servants enter the narrative, introducing explicit imagery of an orgy and a chase. This celestial dance serves as a metaphor for the pursuit of forbidden desires. The inclusion enhances the depth of the narrative, turning a seemingly chaotic scene into a mythic dance of liberation. The deformed servants, representing the darker aspects of human existence, engage in a chase, symbolizing the relentless pursuit of pleasure and the broader themes of liberation and rebellion.   Erotica in Ancient Greece: Unveiling Taboos   To fully grasp the nuances of the poem’s exploration of eroticism, a contextual understanding of sexuality in Ancient Greece and its liberal attitudes towards sex is necessary.   In Greek society, the pursuit of pleasure was considered a natural and integral aspect of life. The ancient Greeks celebrated the human body and the pleasures of the flesh, viewing sexual desire as a natural and divine force. The deliberate choice of explicit imagery in the poem aligns with the Greek appreciation for the sensual aspects of existence. By drawing parallels between the attitudes towards erotica in Ancient Greece and the modern narrative, the poem attempts to make a timeless exploration of human desire.   The Wings of Lemmings: A Surreal Liberation   The seemingly absurd image of riding on the wings of lemmings gains profound meaning when examined through the lens of Greek mythology. The symbolism of lemmings, traditionally associated with blind conformity and self-destruction, is reinterpreted as a metaphor for unconventional paths leading to newfound freedom.   Conclusion   I n conclusion, the poem transcends the boundaries of contemporary storytelling by weaving a narrative rich in mythological symbolism. The exploration of Pan, the satyrs, and the celestial dance of deformity adds layers of meaning to the themes of liberation, rebellion, and eroticism. The deliberate use of explicit imagery and the inclusion of ancient Greek elements create a tapestry of storytelling that resonates across time, inviting readers to contemplate the eternal struggle against societal norms.

Intimacy Sweet Cyprian Goddess! A wise fool, yet I did not see when lust was turning into love. Anactoria has grown cold now. There is a new hero in her life, a warrior who plunders her each day; an Amazon with a crown of laurels. I smell her scent in our room; I see teeth marks on her skin; I feel raw scratches on her spine. She tortures me and I die. Her tears and oaths do not fool me anymore. How fragile Anactoria looks on our bed tonight. How slender seems her neck. Immortal Cyprian Goddess! Please save me from this rage, I'm drowning in a sea of green. Read A short biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho A few words about the poem… Sappho Mourns the Loss of Anactoria – A Tribute to Sappho   This poetic tribute to Sappho is an imagined monologue by the ancient poetess expressing her feelings of betrayal and heartbreak after being abandoned by her lover Anactoria.   Sappho and Anactoria were both women who lived on the island of Lesbos in the 6th century BC. Whilst there is no direct historical evidence that the two women were lovers, Sappho's poetry contains many references to female same-sex relationships.   Sappho was known for her lyric poetry, which was often about love and desire. She wrote in a highly emotional and personal style, expressing her feelings and experiences in her poetry. Her work was highly respected in ancient Greece and beyond, and she was often referred to as the "tenth muse."   In this imagined poetic monologue, Sappho is expressing her heartbreak after being abandoned by Anactoria for a new lover, a warrior with a crown of laurels. Sappho is tormented by the memory of their physical intimacy, as evidenced by the scent of Anactoria in their room. Teeth marks on Anactoria’s skin and scratches on her spine torture Sappho who feels helpless and unable to resist her feelings for Anactoria even as she knows she is no longer interested in her.   The poem ends with Sappho calling on the Cyprian Goddess, a reference to Aphrodite, the Greek goddess of love and beauty, to save her from the consequences of her rage and from the "sea of green" that represents her jealousy and envy.

Painting of a Depressed Woman Parnassus was the prize. She breezed, I struggled. Soon I will be so very old and now Atthis loves another. "Go to her," I said and still I hoped; but she stays silent. Read A short biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho

A Moment of Tenderness She came into my world on jasmine-scented wings and I was beguiled by love, the speechless shy kind of love that hides in a blushing lily only to reveal itself at midnight. I was mesmerised; lost in the zest of youth, I could not speak, and in her smile, I saw a world tantalising and new. I ached for her; desire scorched me and in my marriage bed, I closed my eyes and thought of Atthis. When at last she lay next to me, I was breathless. She loosened my gown, she kissed me and I was undone by love. Seduced by the clarity of the moment, I shuddered free. She flamed my limbs with kisses, she thirsted on my breasts with more, and my wasted life lay in ruins at her feet. Read A short biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho A few words about the poem… The Purity of Sappho’s Feelings for Atthis | A Tribute to Sappho   A poem, a tribute to Sappho, that reimagines her love for Atthis and pays homage to her poetic prowess that was unencumbered by societal pressures and norms, and to her unique way of expressing love, loss, and sadness. Through its evocative words, the poem paints a vivid picture of a love that is pure, honest, and unadulterated.   Sappho is widely recognized for her contribution to literature, and her works continue to captivate readers even after centuries have passed. Her poetry is revered for its emotional depth, exquisite beauty, and the way it conveys human emotions in a deeply personal and intimate manner. Even though only fragments of her works have survived to this day, her legacy has remained as a testament to her unparalleled poetic ability. Her poetry is a powerful reminder that the human experience transcends time and space, and that love is a universal emotion that touches us all.   Through her poetry, Sappho has become a symbol of female empowerment and artistic expression. She has inspired generations of poets and writers, and her work continues to be studied and celebrated today. Her ability to convey deep emotions in a simple yet profound way is a true testament to her talent as a poet. Her legacy will continue to inspire and captivate readers for generations to come.

Ο Πόθος της Σαπφούς | Rachel Maybank as Atthis and Laure Bachelot as Sappho at the Linbury Studio, London. Photograph: Tristram Kenton for the Guardian bewildered by strange new dreams she comes to Mytilene and under a curious blue sky the scent of jasmine and the coolness of the vine Atthis falls in love in abandon on the poet's bed she yields to a world of boundless passion mouth on mouth and limbs entwined she revels in acts of wild and sinless loving tonight the journey to Apollo's light starts for Atthis in the beauty of her lover's eyes Read A short Biography of Sappho the ancient world's greatest poet This poem is part of the collection of poems Sappho

The gypsy girl with wild black curls dances with the moon in the town square. The impish moon tarries on her nubile breasts and the spiteful padre aroused chases the impish moon away. the moon the moon the moon The moon drips honey between her August tinted breasts. Floating on six steel butterflies she bathes her nubile breasts with frankincense and myrrh. Tonight, she aches for Africa— wild like the feral Bedouins wild like the guitars in the town square and she swirls in dreams of seething Moorish winds, bareback on Arabian horses. Tonight, all night we lie on pristine white sheets. I'm inside her! At last, I'm inside her! Inside the girl with the wild black curls and the rhythms of flamenco burn us. te amo te amo my gypsy girl with the wild black curls I love you. A few words about the poem… Echoes of Fusion of Two Cultures | The Andalusian Poems   I n the poem 'Flamenco,' part of the Andalusian Poems series, the dance unfolds as a gypsy girl and the moon entwine in the town square. The narrative melds celestial elements and earthly desires seamlessly.   The moon, deemed impish, provocatively lingers on the girl, drawing disapproval from a padre. The rhythmic refrain of "the moon" echoes the flamenco dance's energy. The poet weaves the celestial and human, crafting a tapestry of desire.   The moon's descent, dripping honey between her August-tinted breasts, adds a sensory layer. The gypsy girl, floating on six butterflies a reference to the sound of the six strings of a guitar, ritually bathes with frankincense and myrrh.   As the narrative progresses, a yearning for Africa introduces dimension, evoking Bedouin spirit and town square melodies. Dreams of Moorish winds—a liberation from the oppressive morality of the Catholic faith, and of Arabian horses enrich the narrative, entwining cultural references seamlessly.   The climax intensifies as the speaker exclaims being 'inside her,' expressing love and gratification for both partners with rhythmic intensity. The repetition of 'te amo' reinforces emotional depth. 'Flamenco' adeptly blends language and imagery, portraying desire, cultural richness, and the dance of celestial bodies within the framework of the Andalusian Poems.   The mesmerizing dance portrayed in 'Flamenco' mirrors the historical dance between Moorish and European cultures in Andalusia. The interplay of the gypsy girl and the moon serves as a metaphor for the intricate connections forged during the Moors' significant influence on Spanish Medieval and Catholic culture.   The moon, labelled impish, symbolizes the foreign Moorish influence that lingered provocatively on the Iberian Peninsula. This dance of cultures was not always met with approval, as represented by the disapproving padre, echoing the historical tensions between the Moorish and Christian realms.   The rhythmic refrain of 'the moon' in the poem resonates not only with the flamenco dance but also with the enduring impact of Moorish music and rhythms on the region. The infusion of Moorish elements into the local culture is woven into the fabric of Andalusia, much like the rhythmic patterns in the poem.   The moon's descent, with honey dripping between the gypsy girl's breasts, symbolizes the richness brought by the Moors, including advancements in science, medicine, and agriculture. This cultural fusion, bathed in rituals of frankincense and myrrh, mirrors the blending of Moorish and European traditions, creating a unique and sensorially rich atmosphere.   The yearning for Africa in the narrative reflects the Moorish roots deeply embedded in Andalusian culture. The mention of Bedouin spirit and the melodies of guitars in the town square evokes the vibrant echoes of Moorish influence, echoing through centuries.   The climax of the poem, where the speaker expresses being 'inside her,' becomes a metaphor for the intimate intertwining of Moorish and European cultural elements. The repetition of 'te amo' symbolizes the enduring love and appreciation for the diverse cultural tapestry woven over centuries.

A fierce wind scorches Cordoba tonight lewd and shameful like a greedy lover. Crawling in through doors ajar and open windows it caresses all hungry lovers entwined the tortured old and the restless young. Relief does not come easy to anyone who sleeps alone tonight. Forgotten thirsts and sinful cravings stir in the breasts of shrivelled maidens; bewildered and ashamed, they press their palms in prayer for mercy to the Lord above. Dazed teens in their love-starved beds lie in sin and in abandon with hungry thighs shameless hands and aching flesh. In this charged and sensual night the unblemished bride-to-be writhes in fever on her virgin bed yearning for a sultry Moor— heathen, steaming and obscene; and she knows that tonight is not a night for doubts and piety. She wants to undo her gown slither down on the rampant beast and satisfy her unsated greed. She shrieks and howls through the night welcoming his frenzied thrusts — exquisite pain, boundless pleasures — and when morning comes, she knows she has traded her mortal soul for lust. A few words about the poem… A Moorish Lover Fantasy of a Virgin Bride | Andalusian Poems   "Cordoba Nights," part of the series Andalusian Poems, transports the reader to a world of intense passion and lust, set against the backdrop of Cordoba, a city that is both beautiful and dangerous. The vivid imagery captures the essence of Andalusia, a place where Moorish and Catholic cultures collided and merged, in the Middle Ages creating a unique tapestry of sensuality and restraint.   Through the poem's striking symbolism, we see how the fierce wind scorches Cordoba like a greedy lover, and how it crawls in through doors ajar and open, caressing all hungry lovers entwined. The poem speaks to the restless young, the tortured old, and the shrivelled maidens whose forgotten thirsts and sinful cravings are stirred by the charged and sensual night.   The unblemished bride-to-be is at the heart of the poem, whose yearning for a sultry Moor leads her down a path of exquisite pain and boundless pleasure. As she surrenders to her desires, the bride-to-be knows that she is trading her mortal soul for lust, embracing a way of life that is at once thrilling and dangerous.   Through "Cordoba Nights" the poem explores the themes of love, lust, and the clash of cultures, offering readers a provocative and deeply affecting journey through the depths of human desire.

A Portrait of Federico Lorca In Alfacar, the poet dreams of gypsy stallions in the Andalusian hills and valleys. “Cordoba. Distant and lonely”* he weeps in pain in the arms of the malevolent blue moon. Now, no one is left to mourn the poet of Sunday's dawn no one is left to mourn him. A bronzed guitar laments: Six sparrows flew south with all his minor chords sealed in an empty coffin. *From Lorca’s poem “The Horseman’s Song Read A Short Biography of Federico García Lorca   Spain's greatest poet and playwright A few words about the poem… The Guitar Laments: A Tribute to Federico García Lorca Introduction “The Guitar Laments” is a poignant poetic tribute to Federico García Lorca, Spain’s legendary poet and playwright. This work encapsulates the tragedy of his untimely death, drawing upon powerful imagery and symbolism to commemorate his enduring legacy. Set against the backdrop of Alfacar, where Lorca met his demise, the poem intricately weaves themes of loss, creativity, and cultural identity, serving as both a reflection on Lorca’s life and a broader commentary on artistic suppression and political violence. Historical Context: Lorca’s Life and Death Federico García Lorca remains one of Spain’s most celebrated poets, whose works have resonated globally for their lyrical beauty and profound emotional depth. Born in 1898 in Fuente Vaqueros, Andalusia, Lorca’s artistry reflected his deep connection to Spanish folklore and rural traditions. His works, including "Gypsy Ballads" and "Poet in New York," often explored themes of love, death, and marginalisation, interwoven with surrealist and symbolist influences. Lorca’s death in 1936 at the hands of Franco’s forces during the Spanish Civil War marked a grim chapter in the history of art and politics. Accused of harbouring leftist sympathies and defying traditional societal norms, Lorca was executed near Alfacar, his body buried in an unmarked grave. The circumstances surrounding his assassination remain shrouded in mystery, making him a martyr for freedom of expression and a symbol of resistance against tyranny. Analysis of the Themes in the Poem The poem delves deeply into themes of death, artistic immortality, and cultural identity. In the opening stanza, Lorca’s dreams of “gypsy stallions” in the Andalusian hills evoke his connection to the vibrant folklore and landscapes of his homeland. This imagery reflects Lorca’s role as a cultural custodian, preserving and celebrating the richness of Andalusian heritage. The allusion to “Cordoba. Distant and lonely”, a line from Lorca’s own poem "The Horseman’s Song,” underscores the isolation and inevitability of his fate. Cordoba, a city steeped in history and art, becomes a metaphor for Lorca’s artistic aspirations and the solitude of his final moments. The lamentation of the “bronzed guitar” symbolises the silencing of Lorca’s creative voice. The guitar, an emblem of Spanish culture and one of Lorca’s recurring motifs, mourns the loss of its master. The sparrows, carrying “all his minor chords” to the south, represent the dispersal of Lorca’s artistic legacy and the enduring sorrow of his untimely death. The poem’s refrain, “No one is left to mourn the poet,” speaks to the apathy and fear that pervaded Spanish society during Franco’s regime. It captures the collective silence surrounding Lorca’s assassination, reflecting the suppression of dissenting voices and the erasure of cultural luminaries. Analysis of the Verse The poem employs a narrative structure with distinct scenes that unfold like a tragic drama. The rhythmic repetition of key phrases, such as “no one is left to mourn the poet,” creates a haunting refrain that mirrors the silence surrounding Lorca’s death. This device reinforces the cyclical nature of repression and artistic resilience. The interplay between lyrical beauty and stark imagery is a hallmark of Lorca’s style, which the poet adeptly channels. The transition from the dreamlike Andalusian landscape to the macabre reality of “a bronzed guitar” mourning its master mirrors the tension between life and death, hope and despair. The poem’s measured cadence and evocative diction evoke the sorrow and mystery surrounding Lorca’s final moments. The inclusion of a line from Lorca’s own work establishes an intertextual dialogue, bridging the past and present while deepening the emotional resonance of the tribute. Analysis of the Symbolism The poem is rich in symbolism, much of it drawn from Lorca’s own repertoire. The “gypsy stallions” allude to Lorca’s "Gypsy Ballads,” emblematic of the marginalised voices he championed. These stallions, symbols of freedom and untamed spirit, contrast with the oppressive forces that claimed his life. The “malevolent blue moon” casts an ominous light over the scene, embodying the betrayal and violence that marked Lorca’s end. The moon, a recurrent motif in Lorca’s poetry, often signifies death and transformation, underscoring the duality of beauty and brutality. The bronzed guitar, mourning sparrows, and empty coffin form a tableau of loss and remembrance. The coffin, devoid of its occupant, echoes the unresolved mystery of Lorca’s grave and the erasure of dissent under Franco’s regime. These symbols invite reflection on the fragility of artistic legacy in the face of political oppression. Main Poetic Imagery The imagery in the poem is vivid and evocative, capturing the essence of Lorca’s life and death. The Andalusian hills, gypsy stallions, and Cordoba’s distance evoke a sense of place and longing, grounding the poem in Lorca’s cultural and emotional landscape. The sparrows and the guitar weave together themes of nature and art, representing the intersection of Lorca’s personal and creative identities. These images, suffused with melancholy, resonate with the universal themes of loss and remembrance. The refrain, “No one is left to mourn the poet,” paired with the silent lament of the bronzed guitar, creates a powerful juxtaposition that underscores the tension between the visible and the unspoken. This imagery invites readers to consider the enduring impact of Lorca’s voice, even in the face of erasure. Religious Symbolism Though subtle, religious symbolism permeates the poem. The malevolent blue moon can be interpreted as a celestial witness to Lorca’s martyrdom, while the sparrows’ southward flight suggests a spiritual journey. The silence surrounding Lorca’s death mirrors the complicity of religious and societal institutions in the face of injustice. The coffin, though empty, serves as a powerful symbol of absence and sacrifice, evoking the Christian tradition of martyrdom and resurrection. This motif aligns with Lorca’s own interrogation of religious and societal norms, adding a layer of complexity to the tribute. Lorca’s Contribution to Literature Federico García Lorca’s influence on Spanish and world literature is immeasurable. His works, characterised by their lyrical intensity and profound exploration of human emotions, continue to inspire generations of readers and writers. Lorca’s ability to blend traditional forms with avant-garde techniques revolutionised Spanish poetry, while his plays, such as "Blood Wedding" and "The House of Bernarda Alba," remain staples of the theatrical canon. Lorca’s commitment to amplifying marginalised voices and challenging societal norms has solidified his place as a beacon of artistic and political resistance. His death, though tragic, cemented his status as a symbol of resilience and the enduring power of art to confront injustice. Conclusion “The Guitar Laments” stands as a stirring tribute to Federico García Lorca, capturing the essence of his life, death, and legacy. Through its rich symbolism, haunting imagery, and intertextual dialogue, the poem honours Lorca’s enduring impact on literature and culture. It serves as a reminder of the transformative power of art to transcend temporal and political constraints, ensuring that Lorca’s voice continues to resonate in the hearts and minds of those who cherish freedom, creativity, and justice.

My love for The Son of Man and Christianity as a way of life is infinite, however, I find it impossible to believe in a metaphysical world. This poem is my own personal view of God, Jesus, and Judas. Please do not continue reading if you are easily offended or intolerant of other peoples' views. This poem is largely inspired by the novel The Last Temptation of Christ by Nikos Kazantzakis. The Anguish of Judas Iscariot My Lord, our covenant The Messiah in a crown of thunder in a blaze of glory. There will be death, fires and Roman blood and all the bells will ring 'Jehovah has come to Zion'. How many more years Lord, can you not hear Salem weep? Now she sleeps with prefects and centurions; the proud voice that sang your praises, silenced. A false king sits on the throne of David and the golden harp sings to you no more. How much longer Lord? Each day I come knocking on your door, and each day you say 'tomorrow'. But no more my Lord I raise my head and say to you 'No more. Not tomorrow, today!" Read all the poems inspired by The Last Temptation of Christ A few words about the poem… Judas Iscariot: The Valiant Fighter for Freedom | A Poem About God   In this powerful and introspective poem about God, inspired by Kazantzakis’s novel “The Last Temptation of Christ”, the poet invites us into a unique perspective, challenging the conventional narrative surrounding Judas Iscariot. Stepping away from the widely held belief that Judas was a traitor and a common thief, the poet portrays him as a valiant warrior fighting for the freedom of Israel from the oppressive grip of Rome.   Addressing the Lord, Judas initiates a conversation, expressing his deep longing for the arrival of the Messiah, symbolized by a majestic figure wearing a crown of thunder and surrounded by a blaze of glory.   The poem sets a scene of imminent upheaval and destruction, as Judas foresees death, fires, and the shedding of Roman blood. Amidst this chaos, he envisions a triumphant moment when the bells will ring, announcing the arrival of Jehovah in Zion. His impassioned plea echoes the cries of a grieving Jerusalem, beseeching the Lord to alleviate the suffering that has befallen the city.   Judas mourns the loss of a once resounding voice that sang the praises of the Lord, now silenced by the presence of foreign prefects and centurions. Jerusalem personified as a sleeping figure, has been taken captive by the corrupt and illegitimate rulers. He laments the absence of the golden harp, an emblem of the city's former glory, which no longer serenades the Lord. The throne of David, once occupied by a rightful king, has been usurped by a false ruler, intensifying the anguish.   As the poem progresses, Judas’s patience wanes, and his devotion transforms into determination. Each day, he visits the Lord's doorstep, seeking solace and a promise of deliverance, only to be met with the response of "tomorrow." However, a pivotal moment occurs within his spirit. With newfound resolve, he defiantly raises his head and declares to the Lord, "No more. Not tomorrow, today!" This declaration signifies the refusal of Judas to accept further delay and signals an unwavering commitment to act, even if it means challenging the divine plan.   In this thought-provoking and emotionally charged poem, the poet invites readers to reconsider the character of Judas Iscariot. By presenting Judas as a proud freedom fighter, the poet prompts us to explore alternative perspectives and unravel the complexities of history. The poem's invocation of Jerusalem's plight and the fervent plea to the Lord create a powerful backdrop for the subsequent verses, leaving readers eager to delve deeper into the poet's exploration of faith, sacrifice, and the pursuit of liberation.

My love for The Son of Man and Christianity as a way of life is infinite, however, I find it impossible to believe in a metaphysical world. This poem is my personal view of God, Jesus, Judas, and Mary Magdalene. Please do not continue reading if you are easily offended or intolerant of other peoples' views. This poem is largely inspired by the novel The Last Temptation of Christ by Nikos Kazantzakis. Lamentation of the Crucifixion In a squalid hovel out of town a gypsy hammers rage and steel fashioning four shiny nails to kill the prophet king. In an olive grove near a hill a zealot kneels down and weeps for a rabbi who is going to die and in a house with a red lamp burning in its shabby window a woman cries for a death foretold. She cries for all the nights she yearned for him and cried herself to sleep she cries for all the nights she searched for him in all the men who paid to use her and she cries for all the nights she called for him and for all the nights he never came. Read all the poems inspired by The Last Temptation of Christ A few words about the poem… Eve of Redemption | Judas and Magdalene, A Tragedy Unveiled | A Poem About God   In this introspective poem about God by the Cyprus poet Chris Zachariou, inspired by "The Last Temptation of Christ" by Nikos Kazantzakis , we are transported to a world filled with despair and impending tragedy. The narrative unfolds through the perspectives of two significant figures in Christianity: Judas, and Mary Magdalene.   The introductory lines paint a vivid picture of the setting—a squalid hovel outside the town where a gypsy crafts four shiny nails, destined to be the instruments of the prophet king's crucifixion. This imagery immediately plunges us into the sombre atmosphere that permeates the poem.   The scene then shifts to an olive grove, perhaps Gethsemane, where Judas kneels in sorrow, shedding tears for the impending demise of his rabbi. This portrayal hints at the profound impact Jesus had on his followers, as even Judas, a zealot known for his fierce devotion and militant spirit, is moved to grief and lamentation. This moment captures the weight of impending loss and emphasizes the significance of the figure they are mourning.   In another corner of this sombre world, we encounter a house with a red lamp burning in its shabby window. Here, Mary Magdalene cries for a death foretold. Her tears are a culmination of myriad emotions and experiences that have defined her relationship with the rabbi. The poet suggests that Mary weeps not only for the imminent loss of Jesus but also for all the nights she yearned for him in vain, crying herself to sleep. Her tears embody the longing and unfulfilled desires that have marked her journey.   The poem delves deeper into Mary's pain, capturing the profound sorrow of countless nights spent searching for solace and connection. The poet poignantly portrays Mary's anguish as she turns to other men who paid to use her, desperately seeking the presence of the one she truly yearned for. These lines evoke a sense of desperation and loneliness, emphasizing the profound absence and unfulfilled promises that have haunted her.   Through the intertwining perspectives of Judas and Mary Magdalene, this poem offers a poignant reflection on the eve of Jesus' crucifixion. It portrays the sorrow and yearning that both characters experience in the face of the imminent tragedy. The imagery and emotions conveyed in the poem allow readers to connect with the depth of their grief and the weight of their shared loss. As we embark on this poetic journey, we are compelled to contemplate the complex relationships and human experiences that shape the narrative of salvation and sacrifice.