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Federico Garcia Lorca In Alfacar under the melancholy shade of a cypress tree, the guns are resting. The poet is dead. Breathless in an empty coffin he laments Ignacio. At five in the afternoon two twisted ravens daughters of a lurid moon took his soul away. The crowds mourn the hero but who will mourn the bard? And will anyone give his poems shelter? Cordoba will give his poems shelter echo the Andalusian valleys. The moon tires of Granada, its crowds, their laments and tears and now she sails for Cordoba. She climbs to the sky devouring all the weeping voices in her darkness. From his empty grave, the bard begins to recite his poem: The Poem of the Dead Poet: The Narrator: “Once so long ago, when lust was the same as love, a Gypsy woman took the devil for her lover. To them, a girl was born; by fifteen, her wild black curls her playful lips and fledgling breasts were driving men insane When I saw the unsullied child I was struck by madness. Seven nuns clasped their shrivelled hands and twelve obedient goblins found me guilty. But I was inflamed by her purity and the lust for sin she promised in her eyes. Now I'm back in Cordoba looking in her narrow-cobbled streets for the girl with the wild black curls. Gypsy rhythms flamenco on the river and there are five brothels and a church on every corner. Priests and whores and those asunder all walking hand in hand pay their dues to God and mammon. The Narrator Disguised as don Quijote: My good lady Dulcinea leaning on the lamp post, have you seen my girl with the wild black curls? She has slender limbs and shy young breasts and lips made for sinning. The Whore Disguised As Dulcinea: My esteemed hidalgo don Quijote, for a doubloon, I can be that shy young girl and for two, I can even be her younger sister.' The Narrator: and she grins me a toothless smile. I take her to a cheap hotel room. We heave, we pant and scream all night and day and the girl with the wild black curls, at last, is mine. But the time for a doubloon is almost up. Her mask comes off and the curls fall off. With a toothless grin, she takes the money and then walks into the night looking for a lamp post. In the room next door, twice as cheap at twice the cost, the padre weeps . The padre in Despair: Forgive me, Lord, since she was a child I watched her from the pulpit and I sinned in thought and when alone I sinned and sinned in deed. The Narrator : Aroused beyond all measure he brings the scourge down until drained of his pious lust the padre collapses on his knees. Prostrated and spent on the faded marble floor with fresh and old stains he begs the Lord's forgiveness.” The end of the poem of the dead poet. The curtain comes down., thunderous applause. The audience in an onanistic frenzy shouts for more. But the guns under the melancholy shade of the cypress tree are on the move again; they kill the Don; they kill the girl; they kill the padre; they kill the applauding audience. Then they kill each other and everyone in the town is dead. All drowned in a putrid heap of torn words and broken hopes. The bard in his empty grave with a Delphic smile and a flourish of his pen scribbles down the final line: " THE END " Read A Short Biography of Federico García Lorca   Spain's greatest poet and playwright A few words about the poem… A Tribute to Lorca: Power and Influence in "Notes from Andalusia" "Notes from Andalusia," a tribute to Lorca, ventures into the tragic narrative of the poet’s death, entwining his legacy with a broader exploration of societal power structures. By invoking figures such as the bard, the don, and the padre, the poem juxtaposes artistic vision against institutional authority, culminating in a vivid tableau of destruction. Through its rich and layered narrative, the poem interrogates the roles of the military, religion, politicians, the intelligentsia, and the intellectual classes in shaping societal norms, raising profound questions about the nature of power, influence, and morality. Power Structures in Context: Historical and Societal Dimensions The poem’s setting in Andalusia is more than geographic; it evokes a Spain embroiled in the ideological battles of the early 20th century, where the interplay of factions like the military, religion, and politicians defined societal norms. Lorca’s death, a direct consequence of this tumult, symbolises the annihilation of dissenting voices, underscoring the military’s pervasive role in enforcing conformity. The guns resting under the cypress tree signal a foreboding presence, poised to suppress freedom in favour of rigid control. Religion emerges as a dual force, offering spiritual solace while entangling itself with authoritarian regimes. The padre’s confession—his sinful voyeurism and self-flagellation—reflects both personal and institutional hypocrisy, encapsulating the tension between faith’s moral aspirations and its human failings. Politicians, though absent as explicit characters in the poem, loom large as enablers of the military-religious nexus. Their capacity to legislate and align with or oppose authoritarian forces becomes a crucial axis of influence, shaping societal norms in both explicit and subtle ways. The poem’s introspection also extends to the intelligentsia and the intellectual classes, portrayed as both challengers and casualties of these dominant forces. The bard’s enduring voice, even from his empty grave, represents the resilience of artistic expression against silencing efforts. Yet, the intellectual class, embodied by the audience’s frenzied applause, is implicated in complicity, consuming art without resisting the forces that destroy it. Themes of Power and Influence in the Poem The poem interrogates the very essence of influence. It questions who holds the ultimate sway over societal norms: those with physical might, moral authority, legislative power, or creative vision. Each faction contributes to the collective narrative, yet none emerges as a definitive answer. Instead, the poem presents a cyclical destruction of power, where even the oppressors eventually succumb to their own violence. The interplay of lust and morality forms a central thematic pillar. The bard’s obsession with the girl with the wild black curls and the padre’s forbidden desire both highlight the fragility of moral constructs under human passions. These themes echo Lorca’s own works, where desire often challenges societal restraints, illuminating the hypocrisies of established norms.   Symbolism and Imagery The poem abounds with potent symbolism. The cypress tree, traditionally associated with mourning, sets the tone for the poem’s meditations on death and loss. The twisted ravens, described as “daughters of a lurid moon,” evoke harbingers of doom, their flight a sinister counterpoint to the bard’s imaginative liberation. Cordoba and Granada, as symbolic settings, offer contrasting visions of artistic refuge and oppressive lamentation. The moon’s journey from Granada to Cordoba suggests an escape from grief toward renewal, yet its devouring of voices hints at the erasure of individuality within collective mourning. The poem’s finale, where the bard scribbles “THE END” amidst a tableau of death and destruction, encapsulates the futility of power struggles. The torn words and broken hopes become metaphors for societal collapse, yet the bard’s Delphic smile suggests an ironic detachment, a recognition of art’s enduring transcendence over temporal strife. Structure and Verse The poem’s structure mirrors a theatrical performance, complete with dramatic monologues and a climactic curtain fall. This framing amplifies the themes of performance and audience complicity, urging reflection on the roles individuals play in perpetuating or resisting societal norms. The language alternates between lyrical and visceral, creating a rhythm that oscillates between beauty and brutality. The repetition of imagery—such as the guns, the moon, and the girl—reinforces the cyclical nature of the narrative, where characters and symbols intertwine in an inescapable dance of creation and destruction. A Tribute to Lorca As a tribute to Lorca, the poem captures the essence of his artistic ethos: an unwavering commitment to exposing societal hypocrisies, celebrating marginalised voices, and confronting existential questions. The bard’s journey reflects Lorca’s own struggles against the oppressive forces of his time, while the layered narrative pays homage to his mastery of blending folklore, surrealism, and political critique. The poem’s exploration of societal power structures—through the military’s violence, religion’s contradictions, politicians’ machinations, and the intelligentsia’s precarious role—renders it a fitting addition to the canon of political poems. By intertwining these elements with the bard’s imagined lament, the poem not only commemorates Lorca’s legacy but also situates his death within a broader commentary on the fragility of human constructs. Analysis of the Themes in the Poem The themes of lust and morality serve as a microcosm of larger societal tensions. The bard’s and padre’s struggles with desire expose the frailty of moral absolutism, while the audience’s voyeuristic frenzy underscores the collective complicity in sustaining oppressive systems. The cyclical violence, from the guns’ initial rest to their final annihilation, reflects the inevitability of destruction in power dynamics.   The theme of artistic endurance permeates the poem. Despite the physical death of the bard and the figurative death of his audience, the act of creation—the final scribble of "THE END"—endures, offering a glimmer of hope amidst despair. Analysis of the Verse The poem employs a theatrical structure, with distinct scenes and monologues that lend a dramatic quality. The rhythmic alternation between lyrical descriptions and stark, brutal imagery creates a tension that mirrors the interplay of beauty and violence within the narrative. The bard’s monologue, steeped in surreal and folkloric elements, contrasts sharply with the padre’s confessional outpouring, highlighting the diverse voices that contend for space within societal discourse. This multiplicity of perspectives enriches the poem’s exploration of influence and power. Analysis of the Symbolism The poem’s use of symbols is central to its impact. The cypress tree anchors the narrative in mourning, while the ravens evoke death’s inevitability. The moon, a recurring symbol in Lorca’s oeuvre, signifies both illumination and concealment, its journey a metaphor for the shifting dynamics of grief and renewal. Cordoba and Granada function as more than mere settings; they represent the duality of oppression and refuge, the former offering solace to the bard’s legacy, the latter embodying the weight of collective lamentation. Main Poetic Imagery The imagery of the girl with the wild black curls encapsulates the intersection of purity and sin, a recurring motif that challenges conventional morality. The cobbled streets of Cordoba, the rhythmic flamenco, and the interplay of priests and prostitutes create a vivid tableau of Andalusian life, where contradictions coexist in uneasy harmony. The imagery of death—guns, graves, and torn words—contrasts with the ethereal beauty of the moon and the bard’s creative flourish, capturing the tension between destruction and transcendence. Religious Symbolism Religious symbolism permeates the poem, particularly through the padre’s character. His confessions and self-punishment reflect the conflict between spiritual ideals and human desires, a theme that resonates with broader critiques of institutional religion. The juxtaposition of churches and brothels in Cordoba further underscores the entanglement of sacred and profane, suggesting a society grappling with its moral contradictions.   "Notes from Andalusia" is not only a tribute to Lorca but also a profound meditation on the forces that shape societal norms. By weaving together themes of power, morality, and artistic endurance, the poem situates itself as a resonant exploration of influence and its limits. Through its evocative imagery, symbolic depth, and theatrical structure, it honours Lorca’s legacy while offering a timeless reflection on the human condition.

Often, I go back to that little street with its lime-washed high walls and to the silence of its olive groves and acacia trees. The frail priest in his withered cassock still whimpers through humble prayers and painted rituals, hankering for the day he called us to the garden. Our faith was then a dawn that never was. The sacred Book of Hymns and Canticles is now torn and all the ancient deities are back with an unholy vengeance. Each day at four in the afternoon, when tired swallows quenched their thirst on the day's memories and the teenage fancy of a spoilt only child took comfort in thoughts of her scented lace, her father brought her to the sea in a euphony of thirteen sweetly singing violins. I watch her – she is so beautiful. In the solitude of a quiet cave, the carefree child sits by the cliffs with seaweed and foam between her summer-tinted thighs, murmuring newborn tales to gulls and bashful seashells. At the darkling of the day, she gathers marigolds in her mother’s garden. She has a sprig of rosemary in her hair and on her breasts, she has the scent of lavender. A shy night bird sings outside her bedroom window and fifteen pampered mandolins in love, softly lull the girl to sleep. Part of the cycle of poems thirteen silk verses A few words about the poem… An Enchanting Coming-of-Age Tale | The Cyprus Poems Collection   In “Pampered Mandolins,” one of the works from the cycle “Thirteen Silk Verses,” the gentle stirrings of innocent young love emerge within a framework that subtly hints at a deeper, unspoken sorrow. This opening poem in the “Cyprus Poems” collection, capturing early feelings of attraction, envelops readers in an atmosphere steeped in the distinct sounds and landscapes of Cyprus Poetry. The narrative floats across familiar echoes of the past, painted with delicate descriptions of acacia trees, olive groves, and lime-washed walls. Here, the purity of youthful feelings finds shelter, undisturbed by the dark shadows that will later cloud these bright memories.   The poem’s introductory lines evoke a serene and timeless backdrop as the protagonist revisits a small street that holds the charm of childhood simplicity. This street, with its high, whitewashed walls and enduring silence, forms a refuge for the characters, especially for the girl—a “much loved child” who embodies innocence and beauty. Her sheltered, young presence evokes the sweetness of first love, and her femininity, encapsulated by scents of lavender, basil, and marigolds, adds an intoxicating sensory quality to the poem. Each detail aligns with the wistful nature of coming-of-age poems, where love is pure and unfettered, and where Cyprus’s ancient traditions and landscapes meld seamlessly with the narrative.   The symbolic imagery in this poem, especially the “pampered mandolins” that soothe the girl to sleep, hints at the delicate balance between fragility and hope. The mandolins, instruments with a melodic, tender sound, become a metaphor for the gentle, nurturing world surrounding her. These sounds suggest a world untouched by the realities of life and death, offering her a lullaby that reflects the gentleness of her current world. The “Cyprus Poetry” collection employs the soft allure of music as an emotional device, imparting both warmth and depth to this depiction of young love.   Yet, despite the gentle lull of mandolins and the soothing comfort of familiar landscapes, the is more than an idyllic memory; it also subtly layers in religious symbolism. The frail priest, garbed in a worn cassock, recites “humble prayers and painted rituals,” portraying the innocence and simplicity of faith in childhood. However, this faith is “a dawn that never was,” a phrase that evokes the idea of an unrealized hope or belief. It introduces a small, almost imperceptible shadow into the poem, mirroring the innocence of the protagonists who remain blissfully unaware of the tragedy that awaits them. As a result, the poem’s religious undertones provide a poignant contrast between the innocence of their love and the unyielding force of destiny.   The repetition of the phrase thirteen and fifteen also offers layers of meaning that connect the protagonists to the cyclical nature of life and death. For example, “the fifteen pampered mandolins in love” appear as metaphorical embellishments that intertwine the musical language of Cyprus Poems with the life stages of the young couple. The collection “Cyprus Poetry” frequently uses such devices to infuse narratives with depth, allowing the reader to sense, without explicit detail, the innocence of the protagonists and the unspoken tragedy on the horizon.   From a symbolic standpoint, nature in this poem acts as a mirror to the characters” emotions and experiences. The acacia and olive trees, often emblematic of endurance, envelop the young couple in a protective cocoon of tradition and rootedness. The swallows, quenching their “thirst on the day’s memories,” echo the fleeting quality of youth and innocence, both cherished yet vulnerable to time. In these “Cyprus Poems,” nature frequently echoes human emotions, drawing a line between the serene beauty of the landscape and the untouched innocence of the young girl and her admirer. Here, “Pampered Mandolins” reveals how both human lives and nature’s rhythm coalesce in an expression of pure, untainted affection, where time momentarily suspends the eventual tragedy.   The poet invokes the timeless essence of death poems as well. Yet, unlike traditional poems of death, where sorrow is at the forefront, here it lingers beneath the surface, enhancing the poignancy of the protagonists” love. This gentle presence of foreshadowing elevates the poem’s power, setting it apart within the collection of Cyprus Poems, where even the seemingly innocent beginnings of love cannot entirely evade the threads of fate.   Analysis of Themes   The poem deftly explores themes of innocence, nature, love, and destiny. The innocence of young love is presented in a way that resonates with the universal experience of first affection, a feeling pure and unsullied by life’s eventual hardships. Nature serves as a silent companion to this love, reflecting and sheltering it while underscoring its fragility. The theme of destiny is subtly woven throughout, hinting at the inevitability that lies beyond the poem’s gentle imagery.   Analysis of the Verse   The poem’s structure employs soft, flowing lines that echo the tenderness of the feelings depicted. Each verse acts as a subtle layer, with imagery that builds upon itself, evoking a soft but steady rhythm that reflects the sound of the mandolins and violins. This rhythm draws the reader into a state of quiet nostalgia, heightening the effect of each sensory detail.   Analysis of the Symbolism   "Pampered Mandolins” is rich in symbolic elements. The mandolins and violins, numbers thirteen and fifteen, and references to lavender, basil, and marigolds all contribute layers of meaning. They suggest a preserved innocence and purity, with nature and music acting as custodians of this fleeting state. The priest’s presence, along with the torn hymn book, signals a fragile faith that contrasts with the stability of young love, setting up an underlying tension between innocence and the foreshadowed loss.   Main Poetic Imagery   The main imagery draws on sensory descriptions that elevate the everyday into the poetic. Scenes of the girl by the sea, the aromatic herbs in her hair, and the marigolds she gathers resonate with traditional Cypriot life. The visual contrast between her colourful, carefree existence and the dim undercurrent of fate strengthens the poem’s depth, creating a vivid emotional landscape.   Religious Symbolism Impact   The frail priest and the references to ancient hymns subtly evoke the religious landscape of Cyprus. This symbolism contributes a sense of timelessness, suggesting that even in youth, life is intertwined with ritual, faith, and the inevitability of change. The priest’s prayers and torn hymn book foreshadow a sense of lost innocence, underscoring the inevitability that will later emerge as a dominant theme in the “Thirteen Silk Verses” cycle.

Orpheus and Eurydice by Iren Horrors I glimpsed her fleeting glance through the needles of the pines and the unsullied whiteness of the sand. In the comatose August heat the stern voice of the preacher hushed the singing of the blackbirds and from the belfry, a blast of purple noise raged relentlessly inside her head. Eurydice clasped her hands praying for the rage to leave her, but she was tangled in the storyline of a minstrel’s tale. Sin and sainthood battled on the rocks until the struggle against the belfry was won. For days we sheltered from the deluge inside deserted caverns by the sea. On the thirteenth whisper of her year we quenched our growing pains until the heat began to scorch the freshness of our minds. Part of the cycle of poems thirteen silk verses A few words about the poem… A Poem of Youth, Love, and Rebellion from the Collection Cyprus Poems   In "Eurydice of the Summer Dusk," another haunting verse in the “Thirteen Silk Verses” cycle, a surreal landscape emerges where the young couple, having surrendered to their forbidden love, face the unyielding judgment of their society. Their union unfolds against a backdrop imbued with religious fervour and cultural expectations, transforming their love into a delicate act of defiance against a world governed by reverence and restraint. Within these verses, the imagery mirrors a mythic Orphic underworld, where desire and self-discovery clash with an unspoken condemnation, creating a poignant portrayal of innocence cast into turmoil.   The poem, from the larger collection Cyprus Poems, begins with a glimpse of Eurydice's "fleeting glance" through the pine needles and "unsullied whiteness of the sand." This initial image suggests her presence as something both close and elusive, a momentary vision that is simultaneously part of and removed from reality. The narrator's perception of Eurydice as a transient vision evokes both her allure and the constraints that will inevitably pull her back into societal expectations. The connection between them is cast as fragile yet compelling, a reflection of the mystical beauty and tension that permeates the poem.   In the subsequent lines, the "comatose August heat" introduces a stifling atmosphere, intensified by the "stern voice of the preacher," whose words quash the blackbirds’ song. The oppressive nature of this environment, where even nature is silenced, suggests an almost insurmountable barrier between Eurydice and her desires. The relentless "blast of purple noise" resounding from the belfry captures the inner turmoil that grows within her—a cacophony that embodies the weight of societal judgment and the force of her inner conflict, transforming her passion into a battleground within her own soul.   Trapped in this spiritual struggle, Eurydice clutches her hands in prayer, her supplication for peace entwined with the mythic force of a "minstrel's tale." The timeless symbolism of her name, drawing from Greek mythology, lends her struggle a tragic resonance as she stands between sin and sainthood, wrestling with desires that society brands as forbidden. The image of “sin and sainthood” clashing upon the rocks underscores this internal battle, as if Eurydice herself is both heroine and captive within the verses of an ancient story. The poem’s layered narrative, blending myth and memory, heightens the surreal atmosphere, immersing the reader in an otherworldly conflict that is both deeply personal and universal.   In the poem's final verses, the young lovers retreat to deserted caverns by the sea, hiding from the judging eyes of society and seeking refuge within nature's embrace. The image of the cavern, dark and protective, provides a temporary sanctuary where the two experience their love away from society's disapproving gaze. Their seclusion is tainted by the awareness that it cannot last, a realisation foreshadowed in Eurydice’s thirteenth whisper, a haunting nod to the mythical Eurydice’s age and fate. The imagery of their “growing pains” quenched amidst the “scorching heat” portrays a love that is both intense and perilous, as if their union, forged in secrecy, is ultimately doomed to be lost to the relentless tide of societal judgment.   Through its evocative and surreal narrative, "Eurydice of the Summer Dusk" captures the couple’s journey as a delicate balance between hope and despair, innocence and forbidden desire. The poem's allusions to Eurydice and Orpheus elevate their tale to a realm of myth, where the young lovers’ fleeting moments of unity are shadowed by inevitable separation and loss. As they retreat further into their love, they simultaneously walk closer to the boundaries imposed upon them, their defiance enshrined in a society that views their union as transgression rather than triumph.   This poem, with its vivid images of secluded beaches, dim caverns, and the ever-watchful preacher, invites readers into a world where beauty and love bloom quietly, only to be threatened by the unyielding forces of cultural expectations. It becomes an enduring tale of youth’s rebellious heart set against the structured morality of an older generation, capturing the poignancy and fragility of love in a world that views it as a forbidden fire.   Analysis of the Themes in the Poem   The central themes of "Eurydice of the Summer Dusk" revolve around forbidden love, the innocence of youth, and the harsh consequences imposed by societal judgement. These themes echo throughout the poem, amplifying the emotional tension and exploring the timeless struggle between individual desires and collective expectations.   Analysis of the Verse   The poem's structure reflects a fluid, dreamlike cadence that mirrors the surreal quality of the lovers' experience. Imagery and metaphor create a lyrical yet melancholy tone, underscoring the tension and inevitability embedded in their love story. The verse flows like the waves that define the secluded seaside setting, interweaving nature's beauty with the lovers' doomed passion.   Analysis of the Symbolism   Symbolism plays a vital role in the poem, from the oppressive “blast of purple noise” representing societal disapproval to the “unsullied whiteness” of the sand symbolising purity and innocence at odds with harsh societal norms. Eurydice's name itself evokes mythological tragedy, suggesting that her story, much like her namesake’s, may be bound by forces beyond her control.   Main Poetic Imagery   The poem’s most striking imagery includes the fleeting glimpse through pine needles, the preacher’s voice stilling the blackbirds, and the lovers' retreat into deserted caves. Each of these images builds the poem’s atmosphere, lending it both a sense of ethereal beauty and foreboding as the lovers step further away from societal expectations.   Religious Symbolism Impact   Religious symbolism emerges in the stern voice of the preacher, whose influence suppresses even the natural world’s voice. This stern oversight embodies the watchful eye of a society defined by moral codes, casting a veil over the lovers and presenting religion as a force that both separates them and intensifies their clandestine bond. Through these elements, the poem interrogates the impact of religious morality on young love and the tensions that arise within this strict framework.

la Fornarina - Painting by Raphael I. In the silence of a nearly finished day, Margherita straddles all her years of barbed wire fences and takes the painter to her bed. At night she lies with Raffaello —such beautiful things they do together— it’s impossible to resist these pleasures. II. I live outside a dazzling city in the crumbling quarter of dead poets but I can never go back to this dazzling city again. It is hard to breathe the air; the opera house is silent and the soprano is hoarse and gruff. She cowers behind the torn theatre curtains stealing hymns from failed poets who once betrayed the metre. In a ruined church the stale aroma of burnt-out candles hangs heavy on the altar. The dying bishop coughs the lesson from a stilted script and the cantor chants a bootleg rhyme. A few words about the poem…   The Melancholy Poems - The Allure of "la Fornarina"   Raphael's mistress, Margherita Luti, often referred to as "la Fornarina," serves as the focal point of this poem, which navigates themes of desire, decay, and spiritual desolation. In the first stanza, Margherita embodies the archetypal muse, leading the painter Raphael into a world of sensual pleasure that transcends time and consequence. The second stanza shifts into a more reflective tone, where the speaker grapples with the desolation of an unnamed city, suggesting a world in decline. The contrast between the pleasures of the first stanza and the decay of the second creates a poignant dichotomy, capturing the essence of the collection of melancholy poems that explore the dualities of existence.   The poem juxtaposes sensuality with spiritual desolation, creating a narrative where pleasure is inextricably linked with decay. In this way, it aligns with other poems in the collection, where the contemplation of fleeting joys often gives way to reflections on mortality and loss. The presence of religious imagery further deepens this contrast, with the ruined church and dying bishop serving as symbols of spiritual decline.   The imagery of the "stale aroma of burnt-out candles" and the "dying bishop" evokes a sense of lingering despair, reinforcing the poem's melancholic tone. Such elements often dwell on themes of loss and the inexorable passage of time. The poet’s use of decaying settings, from the crumbling quarter of dead poets to the ruined church, encapsulates the inevitable decline that accompanies both human desires and spiritual pursuits.   Analysis of Themes   The poem navigates through themes of desire, decay, and spiritual desolation. In the first stanza, the focus is on the theme of sensual pleasure, embodied by Margherita and her relationship with Raphael. This theme is juxtaposed against the decaying world of the second stanza, where the speaker reflects on a city that has fallen into ruin. The contrast between these two sections highlights the dualities of existence, where pleasure is fleeting, and decay is inevitable. The religious imagery introduces a theme of spiritual decline, as the once-vibrant city is now marked by silence and decay.   Analysis of the Verse   The poem is divided into two distinct parts each with its own tone and focus. The first part is intimate and personal, with short, direct lines that convey the immediacy of the sensual experience. The second part is more reflective, with longer lines that evoke a sense of lingering despair. The shift from the personal to the reflective mirrors the poem's thematic movement from pleasure to decay.   Analysis of the Symbolism   Symbolism plays a crucial role in the poem, with Margherita representing not just a muse, but also the transient nature of pleasure. The "crumbling quarter of dead poets" symbolizes the decline of artistic and intellectual pursuits, while the ruined church and dying bishop represent the decay of spiritual values. The "stale aroma of burnt-out candles" is a symbol of lost faith and the remnants of past rituals that have lost their meaning.   Main Poetic Imagery   The poem is rich with imagery that enhances its melancholic tone. Key images include the "barbed wire fences" that Margherita straddles, suggesting entrapment, the passage of time, and the abandonment of moral values. The "crumbling quarter of dead poets" evokes a sense of decay and lost glory, while the "stale aroma of burnt-out candles" conjures the remnants of a faith that has faded away. These images work together to create a vivid portrayal of a world in decline.   Religious Symbolism Impact   The religious symbolism in the poem underscores the theme of spiritual decay. The ruined church and the dying bishop are potent symbols of a faith that is no longer vibrant or life-affirming. The "stale aroma of burnt-out candles" suggests a ritualistic practice that has lost its vitality, while the "bootleg rhyme" chanted by the cantor indicates a corruption of spiritual traditions. This religious symbolism amplifies the poem's overall tone of melancholy, highlighting the decline of both worldly and spiritual pursuits.

Istanbul's Skyline At the crossroads of the world the sacred whore is lost in dreams of cinnamon and purple nights. Who are you? the rising moon commands. I am the harlot of the world. For so many perfumed nights I slept with emperors and kings but all the time I dreamt of Eden. My sainted master took me to his bed ever since I was a child. His velvet touch cooled my mind and in the beginning his pious chants set my flesh alight. Now I despise them all! The emperors, the kings, the sultans their salivating mouths and their nauseating tongues on my slender thighs. But I'm the universal whore. I'm bought, I'm sold, I have no choice. All my ships have perished. Fires are dancing on the waters and even the Mermaid has drowned. The emperor has fled to the caves for shelter. The ancient gate is shattered and the golden eagle pierced through the heart lies breathless at the barricades. The Velvet Lord has turned to marble and a green wind is soaring from the east. He defiles me and I cry in ecstasy and pain. The day of the broken moon is dawning yet each day we wait for the miracle. Our beloved emperor will soon wake— the prophets have seen it in the stars. A few words about the poem…   Byzantine Tales: The Shifting Identity of Istanbul   "The Universal Harlot," a compelling poem, explores the intricate history of Istanbul, formerly known as Constantinople or Istanbul This city, bridging Europe and Asia, has experienced countless transformations, influenced by its conquerors and their respective faiths. Through evocative imagery and poignant metaphors, the poem captures the essence of a metropolis perpetually in flux. This essay delves into these "Byzantine Tales," shedding light on Istanbul's multifaceted identity shaped by war, religion, and cultural evolution.   At the heart of the poem lies Istanbul, depicted as a "sacred whore" lost in dreams of "cinnamon and purple nights." This portrayal reflects the city's storied past, where sacred and secular have continually intertwined. The city's identity has been repeatedly redefined by the rulers and cultures that have sought to control it. The moon's inquiry, "Who are you?" underscores the city's existential quest for self-definition amidst the myriad forces shaping its destiny.   The speaker's declaration as "the harlot of the world" who has "slept with emperors and kings" yet dreams of Eden, encapsulates the paradoxical nature of Istanbul's history. This city, a coveted prize for many empires, has been both venerated and violated, its character shifting to mirror the ambitions of its conquerors. These "Byzantine Tales" highlight the city's role as a hub of power and sanctity, continuously reimagined by those who wield control.   The poem transitions to a tone of disillusionment, as the speaker laments the "salivating mouths" and "nauseating tongues" of emperors, kings, and sultans. This bitterness reflects the city's tumultuous past, marked by invasions and power struggles. Each new ruler imposed their vision upon Istanbul, often at the expense of its original character. The speaker's disdain for these figures mirrors the city's own weariness from being a battleground of conflicting desires and ideologies.   The imagery of "perished ships" and "fires dancing on the waters" evokes the many sieges and naval battles that have defined Istanbul's history. These lines conjure scenes of destruction and rebirth, emphasizing the city's resilience in the face of relentless turmoil. The mention of the drowned mermaid adds a mythic quality, suggesting the loss of innocence and the inexorable pull of destiny that has shaped the city's narrative.   The emperor's flight to the caves and the shattered ancient gate symbolize the fall of Constantinople to the Ottoman Turks in 1453, a pivotal moment in the city's history. The "golden eagle pierced through the heart" poignantly represents the demise of the Byzantine Empire, marking the end of an era and the beginning of a new chapter under Islamic rule. These events, central to the "Byzantine Tales," underscore the transformative impact of conquest on Istanbul's identity.   The poem's climax, with the "Velvet Lord" turning to marble and a "green wind soaring from the east," alludes to the cultural and religious shifts brought by Islamic rule. The city's fusion of Byzantine and Islamic elements creates a unique, hybrid identity. The speaker's cry of "ecstasy and pain" captures the complex emotions associated with this transformation, blending reverence and resistance.   The concluding lines, envisioning the day of the broken moon—a metaphor for Islamic half-moon emblem—and the awaited miracle, reflect the enduring hope and mysticism that permeate Istanbul's history. The anticipation of the emperor's return, prophesied by the stars, symbolizes the city's perpetual longing for renewal and redemption. These "Byzantine Tales" weave a narrative of resilience and continuity, despite the ever-changing tides of power and faith.   In "The Universal Harlot," Istanbul emerges as a city of profound historical significance, its identity sculpted by conquest and cultural amalgamation. The poem's rich imagery and layered metaphors invite readers to contemplate the enduring legacy of a city that has stood at the crossroads of empires and religions. Through these "Byzantine Tales," Istanbul's story is revealed as a testament to the complex interplay of history, power, and faith.

A poem for Anna, from the series Poems of Death and Grief, whose loss saddened and devastated us all. Rest in peace our dear friend. Five Friends in a Patisserie Five sat around the table eating ice cream and apple pie but in between the laughter and the sips of wine silence fell and talked so loud with all the words we left unsaid. Once, the road seemed so long a new adventure in each twist and every turn city walls with iron doors with parapets and citadels to burn. Soldiers of the revolution we stormed the rusty gates Che posters in all the bedsits Afghan coats and silver bells. How short the road is now. The old walls still standing strong our wrecked and ruined armies lying in tatters at the city doors. Four sit around the table eating ice cream and apple pie but in between the laughter and the sips of wine silence falls and talks so loud with all the words we leave unsaid. Four friends eating ice cream and apple pie

Passionate Lovers Entwine I'm in awe of Pythia— an angry storm of raging fury. At night, she smokes roll-ups floating on the crest of a glass horizon; a sweet mist rises from her cigarette— it is the mist of her early sunrise. One by one, I lift her seven veils to find all my miscreant peccadilloes dwelling inside her tarnished mind. Pythia is now mine, mine all mine. Insanity grips us both and for such delinquent acts, those who guard her struggling purity, have cast us beyond the walls and city gates. In a smoked-filled salty cave, I lay crimson flowers on her breasts; the decrepit judge is incandescent— for many years he has thirsted for her night of honour. A surging hunger for this child of untethered frenzy scorches me. We are both made of clay and sin— two misfits sheltering in the same bell jar. She yields to me in the swan song of her white morning and I feast for days in the squalid darkness of her mind plundering her chaos of youth. My Pythia, a priestess of unsated lusts succumbs to all my unhampered heresies and all the oaths of her dwindling modesty hide in her blue and white lace. Part of the   mosaics   cycle of poems A few words about the poem… Unveiling Pythia's Poetic Exploration | A Journey into Erotica   The erotica poem of Pythia's odyssey unfolds a contemplative exploration of burgeoning desires in the cocoon of youth. This introduction to the poem seeks to unravel the nuanced layers embedded in the shadows of its verses, inviting a journey into the complexities of sexual experiences. Pythia's poetic dance delicately captures the essence of awakening desires weaving shadows into a realm where unspoken layers of human experience emerge.   A brief analysis of Pythia reveals an interplay of emotions and desires woven into its fabric. Navigating its subtle nuances using veiled metaphors invites readers to contemplate uncharted territories within the human psyche. The poem encourages intellectual openness, recognizing the diverse interpretations that may arise within the poetic discourse.   The exploration of Pythia's themes presents challenges within the societal context. The theme of youthful sensuality may evoke discomfort, challenging conventional norms and inviting scrutiny within the more conservative circles. This essay, prompts readers to approach the topic with intellectual openness, acknowledging the potential divergence of perspectives.   Within the discourse, this essay invites readers to engage in thoughtful analysis, dissecting Pythia's themes with academic rigour. The societal implications of youthful desires become a focal point, stimulating discussions on the transformative power of poetry in challenging norms and fostering a deeper understanding of the human condition.   In conclusion, this essay navigates the intricate depths of Pythia's verses, uncovering the subtle layers of youthful desires. It invites readers to contemplate the interplay of emotions within the context of sexual awakening, acknowledging societal norms' challenges and recognising poetry's transformative potential.

Passionate Embrace of Lovers The goddess commanded silence!   She was raging; I had disturbed her reverie and though I said she was my only lover, she scorned me and told me I was a stranger. She broke my guitar, she burned my parchments and locked away all my songs inside a jar.   Yet all the profanities she rants, arouse me — I am seduced by the wasted purity of her youth.   Some days she vanishes deep into the forest and when she is back, she has the scent of jasmine blossom in her hair. She tells me once she loved a man who tried to mould her, but now she has broken free. Then she loads her fever on another's shoulder and leaves the mountain for days.   On violet-coloured nights, she sits by the shore looking at the horizon but he who once heard her cry at dawn will not return and my lover weeps.   Her lips taste of brine and the anger of the sea. I strum a broken chord on the guitar she wrecked but she reminds me of my oath of silence and orders me to leave her.   Then she lies on my bed with eyes half-closed and has the taste of May on her breasts. My green-eyed lover beguiles me. At last, I'm inside her twisted mind, a familiar labyrinth of lust and a myriad of delicious rooms of sheer depravity. Part of the   mosaics   cycle of poems A few words about the poem… The Tumultuous Journey of Two Poet-lovers Entangled in the Depths of Toxic Love   Embarking on the tumultuous journey of two poet-lovers ensnared in the depths of toxic love, the examination of the poem titled "Portrait of the Poet as a Lover" thrusts readers into intricate realms. This poetic exploration, employing a descriptive and evocative style, navigates through waves of emotion and passion, creating a narrative that may stir the reader's emotions.   The verses begin with a commanding directive from an unseen force – a goddess imposing silence. This stark introduction sets the tone for a narrative where external influences wield significant power over the poet's love experience. The poet conveys the goddess's displeasure at the disruption of a dream, shattered by the poet's intrusion. This serves as a prelude to the overarching theme—the consequences of deviating from societal and divine expectations in matters of love.   The poet confesses to being an outsider in the realm of love, revealed by the goddess herself. The ensuing destruction of the poet's guitar and the confinement of songs in an ancient vessel metaphorically illustrate the stifling impact of societal norms on creative expression. The poem's evocative language weaves a tale of artistic repression while allowing for layers of interpretation.   The recurrent motif of the goddess's curses and the later desecration of the poet's possessions act as a poignant metaphor for the destructive nature of toxic love. The poet's evocation of the goddess's temper conveys the profound impact of societal judgment on individual autonomy.   Yet, within the overarching theme of destruction, the poem introduces moments of heightened passion and excitement associated with toxic love. The goddess, despite her wrath, becomes an alluring figure. The poet's admission of being enticed by her curses and the seductive descriptions of her, with lips tasting of salt and the fury of the sea, portray a love that is both captivating and perilous. These moments of intensity, though fleeting, provide a counterpoint to the prevailing melancholy.   The central figure, the goddess, is characterized by enigmatic wanderings in the forest and her return with the scent of jasmine blossom in her hair. This complex portrayal hints at the dual nature of toxic love—elusive and unpredictable yet retaining a lingering sweetness. The poem crafts an image of a woman who defies societal expectations and embraces the untamed spirit of May, using the spring month as another metaphor. The dichotomy of her character adds depth to the exploration of toxic love, challenging conventional notions of morality and virtue.   As the narrative unfolds, the goddess shares a tale of a past love, a man who sought to control her but ultimately lost her. This revelation introduces a layer of irony, as the one who once faced restrictions now revels in freedom, loading her dreams onto another's shoulders and disappearing into the mountains. The poem's nuanced storytelling maintains the informative tone while adding layers of complexity to the thematic exploration.   The violet nights find the goddess alone on the shore, her gaze fixed on the horizon. The absence of the one who heard her first cry leaves the reader with a sense of abandonment and sorrow. The poem refrains from expressing sentiment but relies on descriptive language to convey the emotional weight of solitude. The use of colour imagery, such as violet nights, adds visual richness to the portrayal of the goddess's loneliness.   The concluding stanza introduces a moment of vulnerability as the goddess instructs the poet to leave. The purple bed, her half-closed green eyes, and the lingering scent of May encapsulate a scene of bittersweet farewell. The broken guitar string, symbolic of the poet's silenced voice, resonates with the overarching theme of societal suppression. The poem, in depicting the goddess's vulnerability, challenges the authoritative forces that dictate the boundaries of love.   In conclusion, the poem weaves a narrative exploring the complexities of toxic love. It navigates themes of societal judgment, artistic repression, and the dual nature of such relationships. The careful use of descriptive language creates a tapestry of emotions, allowing readers to delve into the nuanced layers of the poet's experience.

Tenderness – by Agnes-Cecil I loved you in the passion of the summer months yet the kiss of March still danced in your eyes. You smiled; I was beguiled. Desire swelled inside me and fever burned my thighs. Each day under cerulean skies we swam in the whispers of the sea. Waves were rushing to the shore to secret coves and fair sand dunes and I was consumed by madness. I bathed you in myrrh, I caressed your auburn hair and kissed the longing in your eyes. My hands quivered. My knees weakened. My body shook with lust. I removed your lacy garments and loved you with the lust of one in haste then lingered on your thighs all my life. I was insane by the allure of innocence and hunger for your youth. In exquisite nights of summer o ur flesh became one and nothing was forbidden in our quest for pleasure. But I lost you in the autumn winds. Your gown lies orphaned in my bed and it fills my world with sadness. The cold November days are looming and from beyond the misty mountains the mournful River Acheron beckons me to go. Read A short biography of Sappho the ancient world's greatest poet This poem is part of the Sappho collection of poems A few words about the poem… A Tribute to Sappho - The Universal Pain of Love and Loss   A poem that depicts a tender relationship between two women, exploring the theme of love and loss and the universality of heartbreak, regardless of gender. It is a reminder that the pain of losing a loved one is a shared experience that can leave us feeling alone and lonely. This poetic tribute to Sappho invites us to reflect on the nature of love and its ability to bring both joy and sorrow. and that loss is a part of the human experience.   As Sappho reaches old age without someone to love and be loved by, her loneliness is palpable. One can only imagine the life she has lived, lost in the pain of the loss of her love. The poem's themes of love and loss are timeless and relatable, reminding us that the capacity to love is what makes us human. Sappho's loneliness is a poignant reminder that life can be unpredictable and that we must cherish those we love while we have them.

A beautiful young girl enchants the boys in this coming-of-age poem. We were both exquisite dancers. Tranced in the scent of prime tobacco from the burnt-out valley, we twirled each day at noon on a highly polished music box all through the scorching days of summer. Such tours en l'air! Such arabesques! The Venetian Lion was delirious with illicit visions of seasons yet to come and perfumed nights still to savour. The god-fearing master was appalled. In vain, he struck his shiny copper bell summoning the errant child to school but the troubadour’s lightsome flute lured her into nights of cinnamon and into the arms of frenzied goblins. The danseuses and I recall the grandeur of her nightly moves; the diva was sublime. I took on the heavy burden of her youth — though such a task was never easy — and thanked her for her kindness. Now, I mourn the artless decades lost. Wrecked and wretched, the theatre still stands by the indulgence of the ageless censor but the prima ballerina has not graced its stage for years. A few words about the poem… The Troubadour’s Flute: A Coming-of-Age Fantasy Poem from the Cyprus Poems Collection   The “The Troubadour’s Flute,” a coming-of-age poem from of the Cyprus Poems collection, is an intricate tapestry of fantasy, nostalgia, and bittersweet nuances. The poem intertwines the realms of memory and imagination, uniting themes of youthful abandon, forbidden allure, and artistic yearning. This poetic narrative serves as both an ode to ephemeral beauty and a subtle critique of societal repression, reflecting a world where art, fantasy, and human frailty converge.   Through vivid imagery and manipulation of language, the poet draws readers into the intoxicating atmosphere of a distant Cyprus summer. The scent of prime tobacco from a burnt-out valley is both literal and symbolic, enveloping the dancers as they twirl on a “highly polished music box.” These opening lines invite readers to step into a space where reality dissolves into the surreal, as the scorching days of summer set the stage for a fantastical pas de deux.   The Venetian Lion, a historical symbol of strength and grandeur, is imbued with a surreal quality. It becomes an observer, mesmerized by the dancers’ “tours en l’air” and “arabesques.” These references to classical ballet lend the poem an air of elegance while simultaneously anchoring it in an artistic tradition that elevates human expression. The Lion’s delirium with “illicit visions” reflects the seductive allure of the forbidden, a motif that underpins the narrative.   At its heart, the poem revolves around the enigmatic figure of the prima ballerina, whose grace captivates all who witness her nightly performances. Her youthful vitality is contrasted with the weight of societal expectations, represented by the “god-fearing master.” His shiny copper bell, summoning the child to school, is a stark counterpoint to the troubadour’s flute, which lures her into “nights of cinnamon” and into the embrace of “frenzied goblins.” This juxtaposition underscores the tension between societal conformity and the seductive pull of artistic and sensual freedom.   The poem’s narrative unfolds through the collective memory of the danseuses, whose reflections imbue the piece with a sense of loss and reverence. They recall the prima ballerina’s sublime artistry, a testament to the fleeting nature of youth and beauty. The poet’s voice, mournful yet appreciative, acknowledges the “heavy burden of her youth” and the sacrifices required to sustain her ephemeral brilliance.   The passage of time emerges as a central theme, embodied by the decaying theatre that once housed her performances. Its wrecked and wretched state mirrors the loss of innocence and vitality, while the “ageless censor” looms as a reminder of societal constraints that stifle creativity and individuality.   “The Troubadour’s Flute” is a coming-of-age Cyprus poem that resonates as a powerful exploration of the tensions between artistic freedom, societal expectations, and the inexorable passage of time. By blending elements of fantasy, memory, and social critique, the poem invites readers to reflect on their own encounters with beauty, loss, and the relentless march of time.   Analysis of the Themes in the Poem The themes in the poem are richly layered, encompassing the tensions between youthful exuberance and societal control, the pursuit of artistic expression, and the inevitability of loss.   The theme of liberation is central to the poem, embodied by the poem, which calls the prima ballerina into a realm of enchantment and self-discovery. This liberation is contrasted with the rigid expectations of the “god-fearing master,” who symbolizes societal authority and its attempts to suppress individuality.   Artistic beauty and its transience form another major theme. The prima ballerina’s nightly performances are described as sublime, yet her absence from the stage in later years evokes a poignant sense of loss. The decaying theatre stands as a metaphor for the impermanence of artistic and youthful vitality.   A subtle exploration of betrayal underpins the narrative. The dancers’ recollections of the prima ballerina’s grandeur suggest a sense of abandonment, as if her withdrawal from the stage signifies a betrayal of the art form that once defined her.   The tension between reality and fantasy is a recurring motif, with surreal imagery—such as “nights of cinnamon” and “frenzied goblins”—blurring the lines between the two. This interplay highlights the allure and dangers of escapism, as well as the transformative power of imagination.   Analysis of the Verse   The poem employs free verse, a structure that allows for fluidity and spontaneity, mirroring the dancers’ graceful movements and the narrative’s dreamlike quality. The lack of a fixed rhyme scheme reflects the unpredictability of the story and the characters’ lives.   The language is both vivid and lyrical, with phrases such as “tranced in the scent of prime tobacco” and “nights of cinnamon” evoking a multisensory experience. The use of ballet terminology, including “arabesques” and “tours en l’air,” reinforces the poem’s artistic focus while adding a layer of technical precision.   Repetition is used sparingly but effectively, with recurring motifs such as the polished music box and the troubadour’s flute anchoring the narrative. The juxtaposition of elegant dance imagery with darker, surreal elements creates a tension that heightens the poem’s emotional resonance.   Analysis of the Symbolism   Symbolism permeates the poem, enriching its narrative and thematic depth. The troubadour’s flute serves as a symbol of freedom and the transformative power of art and it contrasts sharply with the master’s copper bell, which represents societal authority and its attempts to impose conformity.   The Venetian Lion, historically a symbol of strength and power, is reimagined as a witness to the dancers’ performances. Its “illicit visions” suggest a subversion of traditional authority, aligning it with the poem’s themes of rebellion and liberation.   The theatre, in its decaying state, symbolizes the passage of time and the fragility of artistic institutions. It also reflects the societal neglect of art and culture, highlighting the tension between transient beauty and enduring constraints.   The “frenzied goblins” evoke a sense of danger and temptation, serving as metaphors for the risks inherent in pursuing freedom and passion.   Main Poetic Imagery   The imagery in poem is rich and evocative, drawing readers into a world of sensory and emotional depth.   The opening lines, with their reference to the “scent of prime tobacco” and the “highly polished music box,” set a tone of elegance and nostalgia. The dancers’ movements, described through ballet terminology, create a visual and kinetic energy that underscores the poem’s artistic focus.   The surreal elements, such as “nights of cinnamon” and the goblins’ embrace, add a layer of mystery and enchantment, while the decaying theatre serves as a stark reminder of the poem’s themes of loss and impermanence.   The contrast between light and dark imagery—graceful dancers versus the “wrecked and wretched” theatre—mirrors the tension between beauty and decay, freedom and constraint.   Religious Symbolism Impact   Religious symbolism subtly influences the poem, adding depth to its exploration of authority and rebellion.   The “god-fearing master” represents the societal and religious structures that seek to impose order and discipline. His copper bell, summoning the child to school, echoes the rituals of obedience and conformity.   In contrast, the troubadour’s flute assumes a quasi-spiritual role, leading the prima ballerina into a realm of liberation and self-discovery. Its call parallels the idea of divine inspiration, suggesting that true creativity and freedom transcend societal constraints.   The “frenzied goblins” may also carry religious connotations, representing the temptations and moral ambiguities that accompany the pursuit of freedom.   By weaving these elements together, the poem transcends its narrative to become a profound meditation on the interplay between art, authority, and the human spirit. As part of the Cyprus Poems series, it enriches the legacy of Cyprus Poetry, standing as a timeless contribution to the tradition of political poems that challenge, inspire, and endure.

Sensual nude couple making love in glowing white mist Poster by Awen Fine Art Prints We talk of poets and white doves till sunrise of blushing anemones, chilled juice and ice cream and mother's apple pie. A green wind is blowing— green like the freedom of the pines and strange like the words the poetess whispered to the sea. Lime scent and cinnamon grow on our lips and Bacchus craves our youthful day. The profundity of such curious poetry moves her and she plunges into our scarlet whirlpool until we cry out in joy, and the blushing anemones languish in a vase in your pink and white bedroom. For many days she travelled on the river escaping to the abandoned caves of the sea. Incredulous, I searched for her till dawn but never found her and her story was told to no one still a mystery to me and to all her other lovers. Each night I ask you to recite my poem but you laugh at me and say it's no longer avant-garde to have a melancholy soul. You, who has the wisdom of the horizon in her eyes where is the blossom that stroked your thighs in March? Where is the blossom that kissed your eyes in April? Will spring blossom dance on your breasts again in May? You mock me and say I'm debauched but then you warm me in your Reynaud's mouth until I kneel for you in your pomegranate dawn; and even though you tell me I'm a man who is flawed I will never ask for your forgiveness or beg for absolution from your sainted mother. Part of the mosaics cycle of poems A few words about the poem… Analysis of “Poets Come of Age” | A Coming-of-Age Poem "Poets Come of Age" explores the transient nature of poetic inspiration, the passage of time, and the impact of relationships on the creativity of the two poets. In this coming-of-age poem, the poet reflects on the ephemeral nature of poetic inspiration, which can be as fleeting as a conversation until sunrise. The mention of "blushing anemones" and "chilled juice" alludes to the sensory experiences that can trigger creative moments. The poem also touches upon the nostalgia of familiar comforts like ice cream and apple pie, which may serve as muses for the poet. In the first instance, The "green wind" symbolizes the freshness and freedom that poets seek in their work, evoking the imagery of pine trees and the mysterious words of a poetess to the sea. The reader may ponder on the identity of this ancient poetess. The scent of lime and cinnamon on the lips adds a sensory layer to the narrative. The reference to Artemis and Pan suggests a connection between nature and poetic inspiration, highlighting the intertwining of the natural world with artistic creativity. In the second instance, the whole of this stanza could be interpreted as allegorical of the two poets stepping into the adult world and experiencing the first joy of sex. The poem then delves into a more personal narrative, where the poet's work deeply moves someone, leading to passionate encounters. The mention of "blushing anemones" and the use of "languish" in a vase may be seen as symbolic of the first sexual act of the two poets. The poem takes a more melancholic turn as the poet's lover appears to distance themselves from the poet's work. The poet questions the authenticity of the relationship and longs for the return of inspiration and intimacy. There's an underlying sense of loss and unfulfilled expectations. In the end, the poem portrays a complex sexual relationship between the two poets, highlighting the deep emotional connection to their love, craft, fluctuations in creativity, and inspiration that can occur.

Trump: Abstract Painting by Tommervik Two by two, the guileless board the boat to Xanadu with a rout of rusty knights sitting at the captain’s table. “it’s a beautiful boat, probably the most beautiful boat in the world” the captain pouts. Show me a picture of the streets paved in gold, we asked him but the skipper would not answer— he had been lying for years. Deep inside the hull, Hope in Pandora’s box craves the light but it's too late for an old sailor to master a new trade. It's nearly November, four years looking for the golden fleece the compass was lost at sea and the captain is now seasick. A few words about the poem…   Pandora’s Box: Navigating Deception in Political Poems   Political poems often serve as a mirror to the societal and political climates in which they are written. The poem "Pandora’s Box" can be viewed as a subtle yet effective exploration of leadership, false promises, and the disillusionment that often follows. The poem’s structure and language evoke a journey that starts with grand expectations but ends in disillusionment, reflecting the nature of political leadership that is characterised by deceit and broken promises.   In "Pandora’s Box," the imagery of a journey aboard a boat to "El Dorado"—a mythical city of gold—immediately invokes ideas of utopian promises made by those in power. This journey symbolises the pursuit of an ideal, driven by the allure of wealth and prosperity. The mention of "rusty knights" suggests a crew of outdated and ineffective leaders, sitting at "the captain’s table," a metaphor for positions of authority. The captain, who is described in a somewhat mocking tone as flirting with the sailors and pouting about the beauty of the boat, can be interpreted as a figurehead leader, more concerned with appearances than the substance of his role.   The crew’s persistent request to see a "picture of the streets paved in gold" highlights a critical theme in political poems: the demand for proof of the promises made by those in power. The "imposter skipper" who continuously lies represents the failure of leadership, a common critique in a political poems. Over "four years," a period that might suggest a term in political office, the search for the "promised golden fleece"—a symbol of unattainable wealth and success—leads only to the exile of "Hope" to "Pandora’s box." Here, "Pandora’s box" serves as a powerful metaphor for the containment of all evils and the loss of hope, a commentary on the destructive nature of broken political promises.   The poem closes with the image of a "seasick" captain, which could be interpreted as a metaphor for the failing leader, overwhelmed by the consequences of his deceptions. The use of maritime imagery throughout the poem reinforces the idea of a journey fraught with challenges, ultimately leading to failure.   "Pandora’s Box" serves as an effective political poem that critiques leadership through the lens of myth and metaphor. By weaving together classical references and contemporary political concerns, the poem addresses the themes of false promises, the pursuit of unattainable ideals, and the inevitable disillusionment that follows. As a political poem, it captures the essence of a journey led by a flawed leader, resulting in the loss of hope and the realisation of deception.